Ignore The Coffee I Spilled On My First Effort To Talk A Steep

This piece was done in-relief from the study of cubinism as it was so graphic as it is an extreme art form as explained by Jennifer Keefe.  I found the extreme not the word of versus to art form as just extreme contradicts the horror of Cubic Artists.  The Cubistic from where the derivative of blink fell now to photograph must have thickened wick and curdled wax as the drip of just a rafter on the steeple of mankind, fried humanity and nailed plaster at the same exact change(s) of lath and per painter or artist as it gathered a collective, gave dice the graph and taught a blank to erase the horror and mind not the actual habit as it has lasted not 'Stein' but 'Stemware'.  I in respond gave to the thorough shore a sand that grain made thought a process in a posture of what is that on a graph.  In-regards the larger method to comprehend a street on a road in the alley of a curb gave to what is the line from a City navigation to the compass.

Treasure talks as the conversation on my first Cubistry Art came from the worry of a Fire Department down the road that did not have a shield.  As the fraction came to sort the avenue of this picture wore more than a day in a draw.  In color lead the hooves to the axe was more in piano as the noted in played however it was the gates that wore such intense it grained the hull to know the wheat.

To description and to the Public at-large,

      I am not a member of the published article lesson by and from Jennifer Keefe.  Should your display of land place subject to curious please research your paint to brush with this in mind.  I go the shores by mentored since I was a kid.  My 'Study of' Cubism came from the world's fascination with Picasso and only Picasso in the radical radiation of the style of how the Public would gather and become drugged in conversation as an addict to heroin.
     The needle in the haystack be form not method as I am a Prodigy-Genius-Savant born April 29th, 1965 in San Francisco, California in the midst of a movement in this country that delivered envelope with letters that gave Vietnam a song and platter's of dishwashing with and in The Haight.  The 'Summer of Love' and Timothy Leary (an American psychologist and writer known for advocating the exploration of the therapeutic potential of psychedelic drugs under controlled conditions. Wikipedia) made my skin crawl as the perfume was genuinely covered as it was just a bunch of College, University and Institution's that hated Cops.  The Government became secondary, and the War, that became the dirt of soil that never shale's as the slate was on those men as that was the quote unquote Glass ceiling those hippies broke.

Glass ceiling - Wikipedia

https://en.wikipedia.org/wiki/Glass_ceiling

A glass ceiling is a metaphor used to represent an invisible barrier that keeps a given demographic (typically applied to minorities) from rising beyond a certain level in a hierarchy. The metaphor was first coined by feminists in reference to barriers in the careers of high-achieving women.

Lesson Transcript

Instructor: Jennifer Keefe Jennifer Keefe has taught college-level Humanities and has a Master's in Liberal Studies.

In this lesson, you'll learn about Cubism, the early 20th century art form that challenged tradition and the very meaning of art itself. Both kinds of Cubism are discussed, as are major artists of the movement.

Cubism

Doesn't it seem like every generation is only trying to outdo the last with its music, clothes, and definition of what is cool and interesting? Well, the early 20th century was no exception. Many countries around the world had industrialized in the 19th century, and the dawn of the 20th century was seen as a time of new beginnings, new ways of thinking, and new art forms that pushed the values of the old, pre-industrial, world out of the way.
Cubism emerged as a form of painting that challenged all of the values of the Victorian era. People were spending less time believing in God and more time believing they could control their own fates. Science was developing at a more rapid pace, thanks to the work of Albert Einstein and his 1905 theory of relativity, and, as a result, new art forms were being created as part of an overall movement known as Modernism.

Origins

Cubism falls under the Modernist movement, which went against the Victorian ideas about God and pushed aside the previous notions that paintings should contain objects that you did not really have to think much about in order to interpret. Cubism comes in two forms. Both were created by Spanish-born artist Pablo Picasso and his French friend, and fellow artist, Georges Braque between 1907 and 1914. Cubism is different from other art forms that came before it, mainly because it was less concerned with telling a story and more interested in showing multiple viewpoints in one painting, just as Einstein's relativity had shown the existence of multiple dimensions, including time.

Analytical Cubism

The first form of Cubism created by Picasso and Braque was Analytical Cubism, a form of painting that breaks objects down into geometric shapes so you can see them from all angles on the canvas. You can see Analytical Cubism in one of Picasso's most famous works, Les Demoiselles d' Avignon, which translates to 'the ladies of Avignon.'
Completed in 1907, the five women in the painting are meant to portray prostitutes waiting for customers outside of a brothel. The way their bodies were shown as angles and shapes, with little attention paid to what a woman's body actually looks like, is what makes this a work of Analytical Cubism. If you look at the breasts and waistlines of the two women on the left, you can really see Picasso's use of triangles to create his representation of women.

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