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Thursday, August 30, 2018

The Arizona Is The Fight Of Phoenix Today : 30th Of August 2018 12:48PM



The pain in the voice on a vocal stain as the berth of harbor began a disc gave tone of groaning sadness.  To commerce of what is never seen it is the vista that view of the inside man.  Shall an island be the desk of strain than it is the reporter that hides behind a stare, what of the brow that must tire.  To guest of pew as the bench in blare it grew as the years began, and yet, today, the day of a grasp, August the month, two-thousand eighteen the year.

Death almost delivers envelope yet the body of despair are the tethers.  Those that feather a verb in noun, communicating clever, as tears are never welcome on national television.  Riding the bisque I listen.

Long breadth, deep throttle is the vernacular and now in silence the moves.  A casket comes from the stationary, the letter is flag.  An American.  The arms of whom carry this soldier are trend in motion and operation is more than status, the review is width of this man.  Alone on the tarmac a binding, the strength caliber is of such stature that my chest is in his armor.  Loading now on the wheels of what looks to be a plane, the reporter gentles the scene.

A picture comes to mind of those reporters on choke, the crowd now standing divides my own attention, the location is Phoenix and the time is 12:11 PM.

Most certain the slow moan return is felt thoroughly through the men that rose the coffin from car to plane.  Interruption from a high-pitched voice now interrupts Ali Velshi on MSNBC.  He, Velshi, calmly creates a courtesy, pausing he cliques the interrupt and rises his gut to stop the high pitch of that other started chair, now on the question as the 'Remembering John McCain' procession shows on my television. 

Kelly O'Donnell now speaking.  Shifting more to a creative dial the detail is of circumspect, feelings held in shoulder as usual, the balance must letter to a sentence for her job each day, I wonder of her tears that surely she must shed each evening.  Such candor must have it's reserve, the creek of a storm that has to river in the letters to the 'why main' virtue.  Developing criteria, she waltzes her words to stomach the pawn of her position on MSNBC, such strength to be in the field.

Velshi speaking:  Lifted by the break from O'Donnell his picture viewed gives latch the door to threshold more.  Gentiles he must scream in silence as I know of his reporting and the ill repute formatted from the current Trump Administration (Our president (Donald Trump) said that McCain was not a hero on the campaign trail, by quote; "said McCain was "not a war hero. He's a war hero because he was captured. I like people that weren't captured."" as per google, 1st result) from the previous months of this the Year of 2018 must range bile in his inch as now he anchors the core of such media groups that called McCain names that cannot be repeated.  The Brass now on the television, lining the tarmac, what majesty, what silence, what standard, what American would not crumble on this belief . . . .

Again the heat brings sift, I pause.

Now 12:22 PM Live on MSNBC
Thursday, August 30, 2018

Anchoring note to message my cliff, I gather in thought as I remember the name. . . a Vietnam Vet.  The Haight reminds me, those days were gone to the day I was in type, born April 29, 1965 it was The Haight, those summers of love and yet it was the pain that rose thorns from bigotry to insolence, I stop as in the Morse code to remember. . . . to play.  Many strode the guitar, the songs, the faces, the time, the agony, the injury, the man but it was the city and that time in our country the U.S.A. was full of more, religion ramped and people died, Vietnam was on controversy?  Vietnam was dead as The Haight swung from the men in pain to the hippies, ick. 

Back to the stiff, John McCain, a Vietnam Vet and held a stay at the Hanoi Hilton.  I never knew that the movie was basic to that man so today I cry.

Now 12:22 PM Live on MSNBC
Thursday, August 30, 2018



The Hanoi Hilton (film)

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The Hanoi Hilton
Hanoihiltmovie.jpg
Theatrical release poster
Directed by Lionel Chetwynd
Produced by Yoram Globus
Menahem Golan
Written by Lionel Chetwynd
Starring
Music by Jimmy Webb
Cinematography Mark Irwin
Edited by Penelope Shaw
Distributed by Cannon Film Distributors
Release date
  • 1987
Running time
125 minutes
Country United States
Language English, Vietnamese, French, Spanish
The Hanoi Hilton is a 1987 Vietnam War film which focuses on the experiences of American prisoners of war who were held in the infamous Hoa Lo Prison in Hanoi during the 1960s and 1970s and the story is told from their perspectives. It was directed by Lionel Chetwynd, and stars Michael Moriarty, Ken Wright, and Paul Le Mat.
The film portrays fictional characters, not specific American POWs. It earned less than $1 million in its initial theatrical release,[1] but a Warner Bros. Home Entertainment VHS release gained a cult following, especially among veterans.[1]
A DVD release of the film had been anticipated for some time in 2008, with the package to include a new interview with former POW and 2008 presidential candidate John McCain.[1] However, the film's release was suspended by Warner Bros. due to McCain being the Republican Party nominee.[2][3] The week following the United States presidential election, 2008, the DVD went forward into release.[4]

Cast

References


  • Michael Cieply (2008-05-29). "McCain's Quiet Cinematic Turn". The New York Times. Retrieved 2008-05-30.
    1. "Out Tuesday on DVD". Sarasota Herald-Tribune. 2008-11-06. Retrieved 2008-11-26.

    External links

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  • "unknown". Houston Chronicle. Archived from the original on 2008-10-15.
  • "Poliwood Oct. 24th Oliver Stone's W". Pajamas Media.
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