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Thursday, August 31, 2023

Did You Request An Audience

 
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"JOINT" in the KJV Bible


5 Instances   -   Page 1 of 1   -   Sort by Book Order   -   Feedback

Proverbs 25:19chapter context similar meaning copy save
Confidence in an unfaithful man in time of trouble is like a broken tooth, and a foot out of joint.


Psalms 22:14chapter context similar meaning copy save
I am poured out like water, and all my bones are out of joint: my heart is like wax; it is melted in the midst of my bowels.


Romans 8:17chapter context similar meaning copy save
And if children, then heirs; heirs of God, and joint-heirs with Christ; if so be that we suffer with him, that we may be also glorified together.


Genesis 32:25chapter context similar meaning copy save
And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him.


Ephesians 4:16chapter context similar meaning copy save
From whom the whole body fitly joined together and compacted by that which every joint supplieth, according to the effectual working in the measure of every part, maketh increase of the body unto the edifying of itself in love.



Melissa Gilbert

From Wikipedia, the free encyclopedia
Melissa Gilbert
Gilbert in December 2010
26th President of the Screen Actors Guild
In office
October 15, 2001 – February 22, 2005
Preceded byWilliam Daniels
Succeeded byAlan Rosenberg
Personal details
Born
Melissa Ellen Gilbert

May 8, 1964 (age 59)
Los Angeles, California, U.S.
Political partyDemocratic Party
Spouse(s)
Bo Brinkman
(m. 1988; div. 1992)

(m. 1995; div. 2011)

 
(m. 2013)
Children2
Parent
RelativesJonathan Gilbert (brother)
Sara Gilbert (half sister)
Known forLittle House on the Prairie
The Miracle Worker
Occupation
  • Actress
  • director
  • producer
  • politician
  • author
Years active1967–present

Melissa Ellen Gilbert (born May 8, 1964)[1][2] is an American actress, television director, producer, politician, and former president of the Screen Actors Guild.

Gilbert began her career as a child actress in the late 1960s, appearing in numerous commercials and guest starring roles on television. From 1974 to 1983, she starred as Laura Ingalls Wilder, the second oldest daughter of Charles Ingalls (played by Michael Landon) on the NBC series Little House on the Prairie. During the run of Little House, Gilbert appeared in several television films, including The Diary of Anne Frank and The Miracle Worker.

As an adult, she continued her career mainly in television films. Gilbert has also continued with guest starring roles on television and has done voice work for animation such as Batman: The Animated Series as Barbara Gordon / Batgirl. From 2009 to 2010, Gilbert appeared as Caroline "Ma" Ingalls in the touring production of Little House on the Prairie, the Musical. In 2012, she was a contestant on season fourteen of the popular reality dance competition show Dancing with the Stars on ABC.

Gilbert served as the President of the Screen Actors Guild from 2001 to 2005.[3] In 2009, her autobiography Prairie Tale: A Memoir, was released. In 2014, she wrote a short story for children, called Daisy and Josephine[4] as well as My Prairie Cookbook: Memories and Frontier Food from My Little House to Yours.[5]

In 2016, Gilbert ran for U.S. Congress as a Democrat in Michigan's 8th congressional district and she won the Democratic primary. She later dropped out because of health issues stemming from a 2012 accident.[6]

Early life and family[edit]

Gilbert was born in Los Angeles, California, on May 8, 1964, to a newly engaged couple, Kathy Wood and David Darlington, and placed for adoption immediately after birth.[1] She was adopted one day later by actor and comedian Paul Gilbert[7] and his wife, dancer and actress Barbara Crane, the daughter of The Honeymooners creator Harry Crane. They later adopted a son, Jonathan, who co-starred on Little House on the Prairie.

Gilbert's parents divorced when she was 8 years old. Her mother then married attorney Harold Abeles, and together they had biological daughter Sara Rebecca Abeles (the actress known professionally as Sara Gilbert) on January 29, 1975. 

On February 13, 1976, Paul Gilbert died. Although 11-year-old Melissa was told that he had suffered a stroke, she found out years later that he had been a VA patient who dealt with constant pain and that he had taken his own life. The marriage of Barbara and Harold Abeles later ended in divorce.[8] According to her biography, Gilbert was raised in her adoptive mother's Jewish religion,[9] but did not have any formal religious education or conversion ceremony.[10]

Career[edit]

Early years[edit]

Gilbert as Laura Ingalls, circa 1975

Gilbert's earliest television appearances were in dozens of commercials, including one for Alpo dog food with Lorne Greene(Michael Landon's television father on Bonanza). She also attended school with Landon's daughter, Leslie Landon. It was Leslie who informed her that she had won the role of Laura Ingalls on Little House on the Prairie, beating out over 500 child actresses for the part. The pilot was shot in 1973 and was a ratings success. Almost a year later, Gilbert began filming the series. Gilbert became extremely close to the Landon family after her adoptive father died. However, a rift developed between Michael Landon and Gilbert after the revelation of Landon's affair with Little House's young makeup artist, Cindy Clerico.[11]

Gilbert had limited contact with Landon after Little House ended during the 1983–84 season. Seven years later, she was contacted by Landon's family and upon news of his condition, paid him a heartfelt visit following his May 9, 1991, appearance on The Tonight Show Starring Johnny Carson where he discussed his pancreatic cancer. She visited Landon at his Malibu home where he was, by then, bedridden, and they spent the afternoon together. Landon died one week later. When Gilbert gave birth to her son with second husband Bruce Boxleitner on October 6, 1995, they named him Michael, in honor of Landon.[12]

Career after Little House[edit]

Gilbert at the 1991 Emmy Awards

Gilbert has continued to work regularly, mainly in television. She starred as Jean Donovan in the biopic Choices of the Heart(1983), and as Anna Sheridan in three episodes of Babylon 5 with then-husband Boxleitner in 1996. She also provided the voice of Batgirl on the 1990s Batman: The Animated Series, though she would be replaced by voice actress Tara Strong for the series' follow-up The New Batman Adventures.

For her contribution to the television industry, Gilbert received a star on the Hollywood Walk of Fame at 6429 Hollywood Blvd in 1985.[13] Her then-fiancé, Rob Lowe, was present with her when her star was unveiled during the ceremony.[14]

In 1998, she was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. In 2006, Gilbert appeared as Shari Noble, a patient looking to reconstruct her nipples after committing zoophilia with her dog in a season four episode of Nip/Tuck.

In 2008 and through 2009, Gilbert played Caroline "Ma" Ingalls in the musical adaptation of Little House on the Prairie. This world premiere production at the Guthrie Theater in Minneapolis was directed by Francesca Zambello and also starred Kara Lindsay as Laura. The show ran through October 19 and was on a US National tour for 2009–10.[15][16] The tour ended in June 2010 at Starlight Theatre in Kansas City, Missouri.

In March and April 2018, Gilbert starred in an Off-Off-Broadway, limited-run production of Geraldine Aron's 2001 one-woman play 2001 My Brilliant Divorce.[17]

Dancing with the Stars[edit]

In March 2012, Gilbert joined the cast of celebrity contestants on season 14 of Dancing with the Stars. She was paired with Maksim Chmerkovskiy. During week four's show, while dancing the Paso Doble, she fell and hit her head on Maksim's leg and suffered a mild concussion and was taken to a hospital. She went home to recuperate, but returned to continue in the competition.[18] In week eight of competition, she was eliminated, finishing in fifth place.

Screen Actors Guild presidency[edit]

Gilbert was elected president of the Screen Actors Guild in 2001 after a contentious candidacy, in which she ultimately beat her opponent, Rhoda actress Valerie Harper, 21,351 votes to 12,613 votes after a second vote was taken. In 2003, she was re-elected, defeating Kent McCord with 50% of the vote to his 42%.[19] In July 2005, she announced that she would not seek a third term. She was succeeded by Alan Rosenberg, who assumed the guild presidency on September 25.

2016 congressional campaign[edit]

On August 10, 2015, Gilbert announced her campaign for Michigan's 8th congressional district in the 2016 elections to the United States House of Representatives.[20][21][22] Gilbert, who was the presumptive Democratic nominee in the district, dropped out of the race in May 2016, citing health issues.[6]

Personal life[edit]

Relationships[edit]

After her relationship with Rob Lowe ended, Gilbert left for New York City to star in the play A Shayna Maidel. Gilbert was set up with actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married on February 22, 1988, seven weeks after her split from Lowe. Their son was born on May 1, 1989. The couple divorced in 1992.[citation needed]

Weeks after Gilbert's divorce filing, actor Bruce Boxleitner's former wife set him up with Gilbert. Gilbert had met Boxleitner as a teenager when they both were on Battle of the Network Stars; he was her teenage crush. After reconnecting, they dated on and off for over a year. They were engaged twice and both engagements were ended by Boxleitner. After reuniting for a third time, they married on January 1, 1995, in her mother's living room.[23] Gilbert gave birth to their son on October 6, 1995. Gilbert was stepmother to Boxleitner's two sons. On March 1, 2011, Gilbert announced that she and Boxleitner had separated.[12] On August 22, 2011, Gilbert filed for divorce from Boxleitner.[24]

In January 2013, Gilbert's representative confirmed her engagement to actor Timothy Busfield.[25] They married on April 24, 2013,[26] lived in Howell, Michigan, from 2013 to 2018,[27] and moved to New York City late in 2018.[28] Also in 2018, the couple purchased a cottage in the Catskill Mountains of Upstate New York. Gilbert and Busfield have been renovating the cottage and intend to live there permanently. [29]

Tax issues[edit]

Following her announcement as a candidate for U.S. Representative from Michigan, a spokesperson for her opponent's campaign referred to Gilbert as a "tax cheat". Gilbert owed $360,000 in back federal taxes and $112,000 in California state taxes.[30] Gilbert has stated the tax debt is an outgrowth of a stalled acting career, the economy, and divorce.[31] She has negotiated a repayment plan with the IRS.[30]

Health issues[edit]

Gilbert has battled alcoholism and drug abuse, which she wrote about in her 2009 autobiography.[32]

While playing the role of Caroline "Ma" Ingalls in the touring musical Little House on the Prairie, a visit to the doctor revealed that Gilbert had been working with a broken back for months. On July 22, 2010, Gilbert underwent surgery to replace a disc as well as fuse a vertebra in her lower spine. The surgery was described as a complete success.[33]

In January 2015, Gilbert decided to have her breast implants removed for health reasons.[34]

Filmography[edit]

Film[edit]

YearTitleRoleNotes
1967The Reluctant AstronautNiece
1979Nutcracker FantasyClaraVoice
1985SylvesterCharlie
1986Drug Free Kids: A Parent's GuideVideo
1987Blood Vows: The Story of a Mafia WifeMarian (Wife)Film
1989Ice HouseKayShattered Trust
2007Safe HarbourOphelia MacKenzieVideo
2015One Smart FellowEllenShort film
2019Guest ArtistProducer
2019When We Last SpokeRuby

Television[edit]

YearTitleRoleNotes
1968The Dean Martin Comedy HourGirl on Santa's LapEpisode: "1968 Christmas Show"
1972GunsmokeSpratt's ChildEpisode: "The Judgement"
1972Emergency!JennyEpisode: "Dinner Date"
1973TenaflySuzie's sisterEpisode: "The Cash and Carry Caper"
1974–83Little House on the PrairieLaura IngallsMain role (191 episodes)
1977Christmas Miracle in Caufield, U.S.A.Kelly SullivanTelevision film
1978The Love BoatRosemary 'Rocky' SimpsonEpisode: "Rocky"
1978The Hanna-Barbera Happy HourHerself (Guest Star)Episode 1.2
1979The Miracle WorkerHelen KellerTelevision film
1979The Little House YearsLaura IngallsTelevision film
1980The Diary of Anne FrankAnne FrankTelevision film
1981Splendor in the GrassWilma Dean 'Deanie' LoomisTelevision film
1983Choices of the HeartJean DonovanTelevision film
1983Little House: Look Back to YesterdayLaura Ingalls WilderTelevision film
1984Little House: The Last FarewellLaura Ingalls WilderTelevision film
1984Family SecretsSara CallowayTelevision film
1984Little House: Bless All the Dear ChildrenLaura Ingalls WilderTelevision film
1985Faerie Tale TheatreGerdaEpisode: "The Snow Queen"
1986ChoicesTerry GrangerTelevision film
1986Penalty PhaseLeah FurmanTelevision film
1987Blood Vows: The Story of a Mafia WifeMarianTelevision film
1988Killer InstinctDr. Lisa DaVitoTelevision film
1989Ice HouseKayTelevision film
1989ChameleonsTelevision film
1990Without Her ConsentEmily BriggsTelevision film
1990Forbidden NightsJudith ShapiroTelevision film
1990Joshua's HeartClaudiaTelevision film
1990DonorDr. Kristine LiptonTelevision film
1990The LookalikeGina / JenniferTelevision film
1991The Hidden RoomEpisode: "Spirit Cabinet"
1992Stand by Your ManRochelle DunphyMain role (8 episodes)
1992With a VengeanceJenna King / Valerie TannerTelevision film
1992–94Batman: The Animated SeriesBarbara Gordon / BatgirlVoice, 6 episodes
1993Family of StrangersJulie LawsonTelevision film
1993With Hostile IntentMiranda BerkleyTelevision film
1993Shattered Trust: The Shari Karney StoryShari KarneyTelevision film
1993House of SecretsMarion RavinelTelevision film
1993Dying to RememberLynn MatthewsTelevision film
1994The Babymaker: The Dr. Cecil Jacobson StoryMary BennettTelevision film
1994Against Her Will: The Carrie Buck StoryMelissa PrenticeTelevision film
1994Asbestos in ObstetricsFire CaptainTelevision film
1994Cries from the HeartKaren BarthTelevision film
1994–95Sweet JusticeKate DelacroyMain role (22 episodes)
1995ZoyaZoya OssipovTelevision film
1996Babylon 5Anna Sheridan3 episodes
1996A Holiday for LoveEmma MurphyTelevision film
1997Seduction in a Small TownSarah JenksTelevision film
1997Childhood Sweetheart?Karen CarlsonTelevision film
1998The Outer LimitsTeresa JanovitchEpisode: "Relativity Theory"
1998Murder at 75 BirchGwen TodsonTelevision film
1998Her Own RulesMeredith SandersTelevision film
1998Touched by an AngelMichelle TannerEpisode: "The Peacemaker"
1999The Soul CollectorRebeccaTelevision film
1999Mistaken IdentitySarah BarlowTelevision film
2000A Vision of Murder: The Story of DonielleDonielleTelevision film
2001SanctuaryJo Ellen HathawayTelevision film
2002ProvidenceLorna BerlinEpisode: "Smoke and Mirrors"
2002Presidio MedGrace BennettEpisode: "Once Upon a Family"
2003Then Came JonesDevon Jones-ThomasTelevision film
2003Storyline OnlineHerselfEpisode: "My Rotten Redheaded Older Brother"
2003Hollywood Wives: The New GenerationTaylor SingerTelevision film
2004Heart of the StormCassie BroadbeckTelevision film
2005Thicker than WaterNatalie TraversTelevision film
2005Fat ActressHerselfEpisode: "Charlie's Angels or Too Pooped to Pop"
20057th HeavenMarie WagnerEpisode: "Honor Thy Mother"
2006Nip/TuckShari NobleEpisode: "Shari Noble"
2007Sacrifices of the HeartKate Weston / Anne WestonTelevision film
2011The Christmas PageantVera ParksTelevision film
2012Dancing with the StarsHerself (Contestant)14 episodes
2015The Night ShiftLindsayEpisode: "Hold On"
2015Secrets and LiesLisa Daly5 episodes
2017TenureTilly MastersTelevision film
2018Hometown ChristmasMary RussellTelevision film

Awards and nominations[edit]

YearAwardCategoryTitle of workResult
1980Primetime Emmy AwardsOutstanding Lead Actress in a Limited Series or a SpecialThe Miracle WorkerNominated
1980Young Artist AwardBest Juvenile Actress in a TV Series or SpecialLittle House on the PrairieNominated
1981Golden Globe AwardBest Actress – Television Series DramaLittle House on the PrairieNominated
1982Young Artist AwardBest Young Actress in a Television SpecialSplendor in the GrassNominated
1983Young Artist AwardBest Young Actress in a Drama SeriesLittle House on the PrairieWon
1984Young Artist AwardBest Young Actress in a Drama SeriesLittle House on the PrairieWon
2000Golden Boot AwardsGolden Boot
Won
2006TV Land AwardsMost Memorable KissLittle House on the PrairieWon

Punctuation

From Wikipedia, the free encyclopedia

Punctuation marks are marks indicating how a piece of written text should be read (silently or aloud) and, consequently, understood.[1] The oldest known examples of punctuation marks were found in the Mesha Stele from 9th century BC, consisting of points between the words and horizontal strokes between sections.[2][further explanation needed] The alphabet-based writing began with no spaces, no capitalization, no vowels (see abjad), and with only a few punctuation marks, as it was mostly aimed at recording business transactions. Only with the Greek playwrights (such as Euripides and Aristophanes) ends of sentences began to be marked to help actors know when to make a pause during performances. Punctuation includes space between words and the other, historically or currently used, signs.

By the 19th century, the punctuation marks were used hierarchically in terms of their weight.[3] Six marks, proposed in 1966 by the French author Hervé Bazin, could be seen as predecessors of emoticons and emojis.[4]

Meaning of a text can be changed substantially, although in rare cases, with different punctuation, such as in "woman, without her man, is nothing" (emphasizing the importance of men to women), when written "woman: without her, man is nothing" (emphasizing the importance of women to men), instead.[5] Similar change in meaning can be achieved in spoken forms of most languages by using various elements of speech; such as, suprasegmentals. The rules of punctuation vary with language, locationregister, and time. Most recently, in online chat and text messages punctuation is used only tachygraphically.

History[edit]

Punctuation marks, especially spacing, were not needed in logographic or syllabic (such as Chinese and Mayan script) texts because disambiguation and emphasis could be communicated by employing a separate written form distinct from the spoken form of the language. Ancient Chinese classical texts were transmitted without punctuation. However, many Warring States period bamboo texts contain the symbols ⟨└⟩ and ⟨▄⟩ indicating the end of a chapter and full stop, respectively.[6] By the Song dynasty, addition of punctuation to texts by scholars to aid comprehension became common.[7]

Western Antiquity[edit]

Most texts were still written in scriptura continua, that is without any separation between words. However, the Greeks were sporadically using punctuation marks consisting of vertically arranged dots—usually two (dicolon) or three (tricolon)—in around the 5th century BC as an aid in the oral delivery of texts. After 200 BC, the Greeks used Aristophanes of Byzantium's system (called théseis) of a single dot (punctus) placed at varying heights to mark up speeches at rhetorical divisions:

  • hypostigmḗ – a low punctus on the baseline to mark off a komma (unit smaller than a clause);
  • stigmḕ mésē – a punctus at midheight to mark off a clause (kōlon); and
  • stigmḕ teleía – a high punctus to mark off a sentence (periodos).[8]

In addition, the Greeks used the paragraphos (or gamma) to mark the beginning of sentences, marginal diples to mark quotations, and a koronis to indicate the end of major sections.

The Romans (c. 1st century BC) also occasionally used symbols to indicate pauses, but the Greek théseis—under the name distinctiones[9]—prevailed by the 4th century AD as reported by Aelius Donatus and Isidore of Seville (7th century). Also, texts were sometimes laid out per capitula, where every sentence had its own separate line. Diples were used, but by the late period these often degenerated into comma-shaped marks.

On the page, punctuation performs its grammatical function, but in the mind of the reader it does more than that. It tells the reader how to hum the tune.

 Lynn Truss, Eats, Shoots and Leaves.[10]

Medieval[edit]

Punctuation developed dramatically when large numbers of copies of the Bible started to be produced. These were designed to be read aloud, so the copyists began to introduce a range of marks to aid the reader, including indentation, various punctuation marks (dipleparagraphossimplex ductus), and an early version of initial capitals (litterae notabiliores). Jerome and his colleagues, who made a translation of the Bible into Latin, the Vulgate (c. AD 400), employed a layout system based on established practices for teaching the speeches of Demosthenes and Cicero. Under his layout per cola et commata every sense-unit was indented and given its own line. This layout was solely used for biblical manuscripts during the 5th–9th centuries but was abandoned in favor of punctuation.

In the 7th–8th centuries Irish and Anglo-Saxon scribes, whose native languages were not derived from Latin, added more visual cues to render texts more intelligible. Irish scribes introduced the practice of word separation.[11] Likewise, insular scribes adopted the distinctiones system while adapting it for minuscule script (so as to be more prominent) by using not differing height but rather a differing number of marks—aligned horizontally (or sometimes triangularly)—to signify a pause's value: one mark for a minor pause, two for a medium one, and three for a major. Most common were the punctus, a comma-shaped mark, and a 7-shaped mark (comma positura), often used in combination. The same marks could be used in the margin to mark off quotations.

In the late 8th century a different system emerged in France under the Carolingian dynasty. Originally indicating how the voice should be modulated when chanting the liturgy, the positurae migrated into any text meant to be read aloud, and then to all manuscripts. Positurae first reached England in the late 10th century, probably during the Benedictine reform movement, but was not adopted until after the Norman conquest. The original positurae were the punctuspunctus elevatus,[12] punctus versus, and punctus interrogativus, but a fifth symbol, the punctus flexus, was added in the 10th century to indicate a pause of a value between the punctus and punctus elevatus. In the late 11th/early 12th century the punctus versus disappeared and was taken over by the simple punctus (now with two distinct values).[13]

The late Middle Ages saw the addition of the virgula suspensiva (slash or slash with a midpoint dot) which was often used in conjunction with the punctusfor different types of pauses. Direct quotations were marked with marginal diples, as in Antiquity, but from at least the 12th century scribes also began entering diples (sometimes double) within the column of text.

Printing-press era[edit]

The amount of printed material and its readership began to increase after the invention of moveable type in Europe in the 1450s. Martin Luther's German bible translation was one of the first mass printed works, he used only virgulefull stop and less than one percent question marks as punctuation. The focus of punctuation still was rhetorical, to aid reading aloud.[14] As explained by writer and editor Lynne Truss, "The rise of printing in the 14th and 15th centuries meant that a standard system of punctuation was urgently required."[15] Printed books, whose letters were uniform, could be read much more rapidly than manuscripts. Rapid reading, or reading aloud, did not allow time to analyze sentence structures. This increased speed led to the greater use and finally standardization of punctuation, which showed the relationships of words with each other: where one sentence ends and another begins, for example.

The introduction of a standard system of punctuation has also been attributed to the Venetian printers Aldus Manutius and his grandson. They have been credited with popularizing the practice of ending sentences with the colon or full stop (period), inventing the semicolon, making occasional use of parentheses, and creating the modern comma by lowering the virgule. By 1566, Aldus Manutius the Younger was able to state that the main object of punctuation was the clarification of syntax.[16]

By the 19th century, punctuation in the western world had evolved "to classify the marks hierarchically, in terms of weight".[17] Cecil Hartley's poem identifies their relative values:

The stop point out, with truth, the time of pause
A sentence doth require at ev'ry clause.
At ev'ry comma, stop while one you count;
At semicolon, two is the amount;
A colon doth require the time of three;
The period four, as learned men agree.[18]

The use of punctuation was not standardised until after the invention of printing. According to the 1885 edition of The American Printer, the importance of punctuation was noted in various sayings by children such as

Charles the First walked and talked
Half an hour after his head was cut off.

With a semi-colon and a comma added, it reads as follows:

Charles the First walked and talked;
Half an hour after, his head was cut off.[19]

In a 19th-century manual of typography, Thomas MacKellar writes:

Shortly after the invention of printing, the necessity of stops or pauses in sentences for the guidance of the reader produced the colon and full point. In process of time, the comma was added, which was then merely a perpendicular line, proportioned to the body of the letter. These three points were the only ones used until the close of the fifteenth century, when Aldo Manuccio gave a better shape to the comma, and added the semicolon; the comma denoting the shortest pause, the semicolon next, then the colon, and the full point terminating the sentence. The marks of interrogation and admiration were introduced many years after.[20]

Typewriters and electronic communication[edit]

The introduction of electrical telegraphy with a limited set of transmission codes[21] and typewriters with a limited set of keys influenced punctuation subtly. For example, curved quotes and apostrophes were all collapsed into two characters (' and "). The hyphenminus sign, and dashes of various widths have been collapsed into a single character (-), sometimes repeated to represent a long dash. The spaces of different widths available to professional typesetters were generally replaced by a single full-character width space, with typefaces monospaced. In some cases a typewriter keyboard didn't include an exclamation point (!) but this was constructed by the overstrike of an apostrophe and a period; the original Morse code did not have an exclamation point.

These simplifications have been carried forward into digital writing, with teleprinters and the ASCII character set essentially supporting the same characters as typewriters. Treatment of whitespace in HTML discouraged the practice (in English prose) of putting two full spaces after a full stop, since a single or double space would appear the same on the screen. (Some style guides now discourage double spaces, and some electronic writing tools, including Wikipedia's software, automatically collapse double spaces to single.) The full traditional set of typesetting tools became available with the advent of desktop publishing and more sophisticated word processors. Despite the widespread adoption of character sets like Unicode that support the punctuation of traditional typesetting, writing forms like text messages tend to use the simplified ASCII style of punctuation, with the addition of new non-text characters like emoji. Informal text speak tends to drop punctuation when not needed, including some ways that would be considered errors in more formal writing.

In the computer era, punctuation characters were recycled for use in programming languages and URLs. Due to its use in email and Twitter handles, the at sign (@) has gone from an obscure character mostly used by sellers of bulk commodities (10 pounds @$2.00 per pound), to a very common character in common use for both technical routing and an abbreviation for "at". The tilde (~), in moveable type only used in combination with vowels, for mechanical reasons ended up as a separate key on mechanical typewriters, and like @ it has been put to completely new uses.

In English[edit]

There are two major styles of punctuation in English: British or American. These two styles differ mainly in the way in which they handle quotation marks, particularly in conjunction with other punctuation marks. In British English, punctuation marks such as full stops and commas are placed inside the quotation mark only if they are part of what is being quoted, and placed outside the closing quotation mark if part of the containing sentence. In American English, however, such punctuation is generally placed inside the closing quotation mark regardless. This rule varies for other punctuation marks; for example, American English follows the British English rule when it comes to semicolons, colons, question marks, and exclamation points.[22][further explanation needed] The serial comma is used much more often in the United States than in England.

Other languages[edit]

Other languages of Europe use much the same punctuation as English. The similarity is so strong that the few variations may confuse a native English reader. Quotation marks are particularly variable across European languages. For example, in French and Russian, quotes would appear as: «Je suis fatigué.» (in French, each "double punctuation", as the guillemet, requires a non-breaking space; in Russian it does not).

In French of France and Belgium, the signs : ; ? and ! are always preceded by a thin non-breaking space. In Canadian French, this is only the case for :.[23][24]

In Greek, the question mark is written as the English semicolon, while the functions of the colon and semicolon are performed by a raised point ⟨·⟩, known as the ano teleia (άνω τελεία).

In Georgian, three dots, , were formerly used as a sentence or paragraph divider. It is still sometimes used in calligraphy.

Spanish and Asturian (both of them Romance languages used in Spain) use an inverted question mark ¿ at the beginning of a question and the normal question mark at the end, as well as an inverted exclamation mark ¡ at the beginning of an exclamation and the normal exclamation mark at the end.[25]

Armenian uses several punctuation marks of its own. The full stop is represented by a colon, and vice versa; the exclamation mark is represented by a diagonal similar to a tilde ⟨~⟩, while the question mark ⟨՞⟩ resembles an unclosed circle placed after the last vowel of the word.

ArabicUrdu, and Persian—written from right to left—use a reversed question mark: ⟨؟⟩, and a reversed comma: ⟨،⟩. This is a modern innovation; pre-modern Arabic did not use punctuation. Hebrew, which is also written from right to left, uses the same characters as in English, ⟨,⟩ and ⟨?⟩.[26]

Originally, Sanskrit had no punctuation. In the 17th century, Sanskrit and Marathi, both written using Devanagari, started using the vertical bar  to end a line of prose and double vertical bars ⟨॥⟩ in verse.

Punctuation was not used in ChineseJapaneseKorean and Vietnamese Chu Nom writing until the adoption of punctuation from the West in the late 19th and early 20th century. In unpunctuated texts, the grammatical structure of sentences in classical writing is inferred from context.[27] Most punctuation marks in modern Chinese, Japanese, and Korean have similar functions to their English counterparts; however, they often look different and have different customary rules.

In the Indian subcontinent:- is sometimes used in place of colon or after a subheading. Its origin is unclear, but could be a remnant of the British Raj. Another punctuation common in the Indian Subcontinent for writing monetary amounts is the use of ⟨/-⟩ or ⟨/=⟩ after the number. For example, Rs. 20/- or Rs. 20/= implies 20 rupees whole.

ThaiKhmerLao and Burmese did not use punctuation until the adoption of punctuation from the West in the 20th century. Blank spaces are more frequent than full stops or commas.

Novel punctuation marks[edit]

Interrobang[edit]

In 1962, American advertising executive Martin K. Speckter proposed the interrobang (‽), a combination of the question mark and exclamation point, to mark rhetorical questions or questions stated in a tone of disbelief. Although the new punctuation mark was widely discussed in the 1960s, it failed to achieve widespread use.[28] Nevertheless, it and its inverted form were given code points in Unicode: U+203D  INTERROBANGU+2E18  INVERTED INTERROBANG.

Predecessors of emoticons and emojis[edit]

The six additional punctuation marks proposed in 1966 by the French author Hervé Bazin in his book Plumons l'Oiseau ("Let's pluck the bird", 1966)[29]could be seen as predecessors of emoticons and emojis.

These were:[30]

  • the "irony point" or "irony mark" (point d'ironie)
  • the "love point" (point d'amour)
  • A point d'amour mark, or "love point."
    the "conviction point" (point de conviction)
  • the "authority point" (point d'autorité)
  • the "acclamation point" (point d'acclamation)
  • the "doubt point" (point de doute)

"Question comma", "exclamation comma"[edit]

An exclamation comma.

An international patent application was filed, and published in 1992 under World Intellectual Property Organization (WIPO) number WO9219458,[31] for two new punctuation marks: the "question comma" and the "exclamation comma". The question comma has a comma instead of the dot at the bottom of a question mark, while the exclamation comma has a comma in place of the point at the bottom of an exclamation mark. These were intended for use as question and exclamation marks within a sentence, a function for which normal question and exclamation marks can also be used, but which may be considered obsolescent. The patent application entered into the national phase only in Canada. It was advertised as lapsing in Australia on 27 January 1994[32] and in Canada on 6 November 1995.[33]

Others[edit]

Other proposed punctuation marks include:[34]

  • Snark mark, indicating an ironic statement by putting a tilde next to terminal punctuation: .~ for dry sarcasm, !~ for enthusiastic sarcasm, and ?~ for sarcastic questions
  • Rhetorical question mark
  • SarcMark for sarcasm

Punctuation marks in Unicode[edit]

By Unicode General Category 'P'
§ Pd, dash
§ Ps-Pe, start–end (open–close brackets)
§ Pi-Pf, initial–final quote
§ Pc, connector
§ Po, other
MarkNameCode pointGeneral CategoryScript
Pd, dash
-HYPHEN-MINUSU+002DPd, dashCommon
HYPHENU+2010Pd, dashCommon
NON-BREAKING HYPHENU+2011Pd, dashCommon
FIGURE DASHU+2012Pd, dashCommon
EN DASHU+2013Pd, dashCommon
EM DASHU+2014Pd, dashCommon
HORIZONTAL BARU+2015Pd, dashCommon
DOUBLE OBLIQUE HYPHENU+2E17Pd, dashCommon
HYPHEN WITH DIAERESISU+2E1APd, dashCommon
TWO-EM DASHU+2E3APd, dashCommon
THREE-EM DASHU+2E3BPd, dashCommon
DOUBLE HYPHENU+2E40Pd, dashCommon
WAVE DASHU+301CPd, dashCommon
WAVY DASHU+3030Pd, dashCommon
KATAKANA-HIRAGANA DOUBLE HYPHENU+30A0Pd, dashCommon
PRESENTATION FORM FOR VERTICAL EM DASHU+FE31Pd, dashCommon
PRESENTATION FORM FOR VERTICAL EN DASHU+FE32Pd, dashCommon
SMALL EM DASHU+FE58Pd, dashCommon
SMALL HYPHEN-MINUSU+FE63Pd, dashCommon
FULLWIDTH HYPHEN-MINUSU+FF0DPd, dashCommon
֊ARMENIAN HYPHENU+058APd, dashArmenian
CANADIAN SYLLABICS HYPHENU+1400Pd, dashCanadian Aboriginal
־HEBREW PUNCTUATION MAQAFU+05BEPd, dashHebrew
MONGOLIAN TODO SOFT HYPHENU+1806Pd, dashMongolian
𐺭YEZIDI HYPHENATION MARKU+10EADPd, dashYezidi
Pi-Pf, initial–final quote
« »
  • LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
  • RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
  • U+00AB
  • U+00BB
  • Pi, initial
  • Pf, final
Common
‘ ’
  • LEFT SINGLE QUOTATION MARK
  • RIGHT SINGLE QUOTATION MARK
  • U+2018
  • U+2019
  • Pi, initial
  • Pf, final
Common
SINGLE HIGH-REVERSED-9 QUOTATION MARKU+201BPi, initial quoteCommon
“ ”
  • LEFT DOUBLE QUOTATION MARK
  • RIGHT DOUBLE QUOTATION MARK
  • U+201C
  • U+201D
  • Pi, initial
  • Pf, final
Common
DOUBLE HIGH-REVERSED-9 QUOTATION MARKU+201FPi, initial quoteCommon
‹ ›
  • SINGLE LEFT-POINTING ANGLE QUOTATION MARK
  • SINGLE RIGHT-POINTING ANGLE QUOTATION MARK
  • U+2039
  • U+203A
  • Pi, initial
  • Pf, final
Common
⸂ ⸃
  • LEFT SUBSTITUTION BRACKET
  • RIGHT SUBSTITUTION BRACKET
  • U+2E02
  • U+2E03
  • Pi, initial
  • Pf, final
Common
⸄ ⸅
  • LEFT DOTTED SUBSTITUTION BRACKET
  • RIGHT DOTTED SUBSTITUTION BRACKET
  • U+2E04
  • U+2E05
  • Pi, initial
  • Pf, final
Common
⸉ ⸊
  • LEFT TRANSPOSITION BRACKET
  • RIGHT TRANSPOSITION BRACKET
  • U+2E09
  • U+2E0A
  • Pi, initial
  • Pf, final
Common
⸌ ⸍
  • LEFT RAISED OMISSION BRACKET
  • RIGHT RAISED OMISSION BRACKET
  • U+2E0C
  • U+2E0D
  • Pi, initial
  • Pf, final
Common
⸜ ⸝
  • LEFT LOW PARAPHRASE BRACKET
  • RIGHT LOW PARAPHRASE BRACKET
  • U+2E1C
  • U+2E1D
  • Pi, initial
  • Pf, final
Common
⸠ ⸡
  • LEFT VERTICAL BAR WITH QUILL
  • RIGHT VERTICAL BAR WITH QUILL
  • U+2E20
  • U+2E21
  • Pi, initial
  • Pf, final
Common
Ps-Pe, open–close (brackets)
( )
  • LEFT PARENTHESIS
  • RIGHT PARENTHESIS
  • U+0028
  • U+0029
  • Ps, open
  • Pe, close
Common
[ ]
  • LEFT SQUARE BRACKET
  • RIGHT SQUARE BRACKET
  • U+005B
  • U+005D
  • Ps, open
  • Pe, close
Common
{ }
  • LEFT CURLY BRACKET
  • RIGHT CURLY BRACKET
  • U+007B
  • U+007D
  • Ps, open
  • Pe, close
Common
SINGLE LOW-9 QUOTATION MARKU+201APs, openCommon
DOUBLE LOW-9 QUOTATION MARKU+201EPs, openCommon
⁅ ⁆
  • LEFT SQUARE BRACKET WITH QUILL
  • RIGHT SQUARE BRACKET WITH QUILL
  • U+2045
  • U+2046
  • Ps, open
  • Pe, close
Common
⁽ ⁾
  • SUPERSCRIPT LEFT PARENTHESIS
  • SUPERSCRIPT RIGHT PARENTHESIS
  • U+207D
  • U+207E
  • Ps, open
  • Pe, close
Common
₍ ₎
  • SUBSCRIPT LEFT PARENTHESIS
  • SUBSCRIPT RIGHT PARENTHESIS
  • U+208D
  • U+208E
  • Ps, open
  • Pe, close
Common
⌈ ⌉
  • LEFT CEILING
  • RIGHT CEILING
  • U+2308
  • U+2309
  • Ps, open
  • Pe, close
Common
⌊ ⌋
  • LEFT FLOOR
  • RIGHT FLOOR
  • U+230A
  • U+230B
  • Ps, open
  • Pe, close
Common
〈 〉
  • LEFT-POINTING ANGLE BRACKET
  • RIGHT-POINTING ANGLE BRACKET
  • U+2329
  • U+232A
  • Ps, open
  • Pe, close
Common
❨ ❩
  • MEDIUM LEFT PARENTHESIS ORNAMENT
  • MEDIUM RIGHT PARENTHESIS ORNAMENT
  • U+2768
  • U+2769
  • Ps, open
  • Pe, close
Common
❪ ❫
  • MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
  • MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
  • U+276A
  • U+276B
  • Ps, open
  • Pe, close
Common
❬ ❭
  • MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
  • MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
  • U+276C
  • U+276D
  • Ps, open
  • Pe, close
Common
❮ ❯
  • HEAVY LEFT-POINTING ANGLE QUOTATION MARK ORNAMENT
  • HEAVY RIGHT-POINTING ANGLE QUOTATION MARK ORNAMENT
  • U+276E
  • U+276F
  • Ps, open
  • Pe, close
Common
❰ ❱
  • HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
  • HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
  • U+2770
  • U+2771
  • Ps, open
  • Pe, close
Common
❲ ❳
  • LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
  • LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
  • U+2772
  • U+2773
  • Ps, open
  • Pe, close
Common
❴ ❵
  • MEDIUM LEFT CURLY BRACKET ORNAMENT
  • MEDIUM RIGHT CURLY BRACKET ORNAMENT
  • U+2774
  • U+2775
  • Ps, open
  • Pe, close
Common
⟅ ⟆
  • LEFT S-SHAPED BAG DELIMITER
  • RIGHT S-SHAPED BAG DELIMITER
  • U+27C5
  • U+27C6
  • Ps, open
  • Pe, close
Common
⟦ ⟧
  • MATHEMATICAL LEFT WHITE SQUARE BRACKET
  • MATHEMATICAL RIGHT WHITE SQUARE BRACKET
  • U+27E6
  • U+27E7
  • Ps, open
  • Pe, close
Common
⟨ ⟩
  • MATHEMATICAL LEFT ANGLE BRACKET
  • MATHEMATICAL RIGHT ANGLE BRACKET
  • U+27E8
  • U+27E9
  • Ps, open
  • Pe, close
Common
⟪ ⟫
  • MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
  • MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
  • U+27EA
  • U+27EB
  • Ps, open
  • Pe, close
Common
⟬ ⟭
  • MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
  • MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
  • U+27EC
  • U+27ED
  • Ps, open
  • Pe, close
Common
⟮ ⟯
  • MATHEMATICAL LEFT FLATTENED PARENTHESIS
  • MATHEMATICAL RIGHT FLATTENED PARENTHESIS
  • U+27EE
  • U+27EF
  • Ps, open
  • Pe, close
Common
⦃ ⦄
  • LEFT WHITE CURLY BRACKET
  • RIGHT WHITE CURLY BRACKET
  • U+2983
  • U+2984
  • Ps, open
  • Pe, close
Common
⦅ ⦆
  • LEFT WHITE PARENTHESIS
  • RIGHT WHITE PARENTHESIS
  • U+2985
  • U+2986
  • Ps, open
  • Pe, close
Common
⦇ ⦈
  • Z NOTATION LEFT IMAGE BRACKET
  • Z NOTATION RIGHT IMAGE BRACKET
  • U+2987
  • U+2988
  • Ps, open
  • Pe, close
Common
⦉ ⦊
  • Z NOTATION LEFT BINDING BRACKET
  • Z NOTATION RIGHT BINDING BRACKET
  • U+2989
  • U+298A
  • Ps, open
  • Pe, close
Common
⦋ ⦌
  • LEFT SQUARE BRACKET WITH UNDERBAR
  • RIGHT SQUARE BRACKET WITH UNDERBAR
  • U+298B
  • U+298C
  • Ps, open
  • Pe, close
Common
⦍ ⦎
  • LEFT SQUARE BRACKET WITH TICK IN TOP CORNER
  • RIGHT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
  • U+298D
  • U+298E
  • Ps, open
  • Pe, close
Common
⦏ ⦐
  • LEFT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
  • RIGHT SQUARE BRACKET WITH TICK IN TOP CORNER
  • U+298F
  • U+2990
  • Ps, open
  • Pe, close
Common
⦑ ⦒
  • LEFT ANGLE BRACKET WITH DOT
  • RIGHT ANGLE BRACKET WITH DOT
  • U+2991
  • U+2992
  • Ps, open
  • Pe, close
Common
⦓ ⦔
  • LEFT ARC LESS-THAN BRACKET
  • RIGHT ARC GREATER-THAN BRACKET
  • U+2993
  • U+2994
  • Ps, open
  • Pe, close
Common
⦕ ⦖
  • DOUBLE LEFT ARC GREATER-THAN BRACKET
  • DOUBLE RIGHT ARC LESS-THAN BRACKET
  • U+2995
  • U+2996
  • Ps, open
  • Pe, close
Common
⦗ ⦘
  • LEFT BLACK TORTOISE SHELL BRACKET
  • RIGHT BLACK TORTOISE SHELL BRACKET
  • U+2997
  • U+2998
  • Ps, open
  • Pe, close
Common
⧘ ⧙
  • LEFT WIGGLY FENCE
  • RIGHT WIGGLY FENCE
  • U+29D8
  • U+29D9
  • Ps, open
  • Pe, close
Common
⧚ ⧛
  • LEFT DOUBLE WIGGLY FENCE
  • RIGHT DOUBLE WIGGLY FENCE
  • U+29DA
  • U+29DB
  • Ps, open
  • Pe, close
Common
⧼ ⧽
  • LEFT-POINTING CURVED ANGLE BRACKET
  • RIGHT-POINTING CURVED ANGLE BRACKET
  • U+29FC
  • U+29FD
  • Ps, open
  • Pe, close
Common
⸢ ⸣
  • TOP LEFT HALF BRACKET
  • TOP RIGHT HALF BRACKET
  • U+2E22
  • U+2E23
  • Ps, open
  • Pe, close
Common
⸤ ⸥
  • BOTTOM LEFT HALF BRACKET
  • BOTTOM RIGHT HALF BRACKET
  • U+2E24
  • U+2E25
  • Ps, open
  • Pe, close
Common
⸦ ⸧
  • LEFT SIDEWAYS U BRACKET
  • RIGHT SIDEWAYS U BRACKET
  • U+2E26
  • U+2E27
  • Ps, open
  • Pe, close
Common
⸨ ⸩
  • LEFT DOUBLE PARENTHESIS
  • RIGHT DOUBLE PARENTHESIS
  • U+2E28
  • U+2E29
  • Ps, open
  • Pe, close
Common
DOUBLE LOW-REVERSED-9 QUOTATION MARKU+2E42Ps, openCommon
〈 〉
  • LEFT ANGLE BRACKET
  • RIGHT ANGLE BRACKET
  • U+3008
  • U+3009
  • Ps, open
  • Pe, close
Common
《 》
  • LEFT DOUBLE ANGLE BRACKET
  • RIGHT DOUBLE ANGLE BRACKET
  • U+300A
  • U+300B
  • Ps, open
  • Pe, close
Common
「 」
  • LEFT CORNER BRACKET
  • RIGHT CORNER BRACKET
  • U+300C
  • U+300D
  • Ps, open
  • Pe, close
Common
『 』
  • LEFT WHITE CORNER BRACKET
  • RIGHT WHITE CORNER BRACKET
  • U+300E
  • U+300F
  • Ps, open
  • Pe, close
Common
【 】
  • LEFT BLACK LENTICULAR BRACKET
  • RIGHT BLACK LENTICULAR BRACKET
  • U+3010
  • U+3011
  • Ps, open
  • Pe, close
Common
〔 〕
  • LEFT TORTOISE SHELL BRACKET
  • RIGHT TORTOISE SHELL BRACKET
  • U+3014
  • U+3015
  • Ps, open
  • Pe, close
Common
〖 〗
  • LEFT WHITE LENTICULAR BRACKET
  • RIGHT WHITE LENTICULAR BRACKET
  • U+3016
  • U+3017
  • Ps, open
  • Pe, close
Common
〘 〙
  • LEFT WHITE TORTOISE SHELL BRACKET
  • RIGHT WHITE TORTOISE SHELL BRACKET
  • U+3018
  • U+3019
  • Ps, open
  • Pe, close
Common
〚 〛
  • LEFT WHITE SQUARE BRACKET
  • RIGHT WHITE SQUARE BRACKET
  • U+301A
  • U+301B
  • Ps, open
  • Pe, close
Common
〝 〞
  • REVERSED DOUBLE PRIME QUOTATION MARK
  • DOUBLE PRIME QUOTATION MARK
  • U+301D
  • U+301E
  • Ps, open
  • Pe, close
Common
LOW DOUBLE PRIME QUOTATION MARKU+301FPe, closeCommon
﴿ORNATE RIGHT PARENTHESISU+FD3FPs, openCommon
︗ ︘
  • PRESENTATION FORM FOR VERTICAL LEFT WHITE LENTICULAR BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT WHITE LENTICULAR BRAKCET
  • U+FE17
  • U+FE18
  • Ps, open
  • Pe, close
Common
︵ ︶
  • PRESENTATION FORM FOR VERTICAL LEFT PARENTHESIS
  • PRESENTATION FORM FOR VERTICAL RIGHT PARENTHESIS
  • U+FE35
  • U+FE36
  • Ps, open
  • Pe, close
Common
︷ ︸
  • PRESENTATION FORM FOR VERTICAL LEFT CURLY BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT CURLY BRACKET
  • U+FE37
  • U+FE38
  • Ps, open
  • Pe, close
Common
︹ ︺
  • PRESENTATION FORM FOR VERTICAL LEFT TORTOISE SHELL BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT TORTOISE SHELL BRACKET
  • U+FE39
  • U+FE3A
  • Ps, open
  • Pe, close
Common
︻ ︼
  • PRESENTATION FORM FOR VERTICAL LEFT BLACK LENTICULAR BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT BLACK LENTICULAR BRACKET
  • U+FE3B
  • U+FE3C
  • Ps, open
  • Pe, close
Common
︽ ︾
  • PRESENTATION FORM FOR VERTICAL LEFT DOUBLE ANGLE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT DOUBLE ANGLE BRACKET
  • U+FE3D
  • U+FE3E
  • Ps, open
  • Pe, close
Common
︿ ﹀
  • PRESENTATION FORM FOR VERTICAL LEFT ANGLE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT ANGLE BRACKET
  • U+FE3F
  • U+FE40
  • Ps, open
  • Pe, close
Common
﹁ ﹂
  • PRESENTATION FORM FOR VERTICAL LEFT CORNER BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT CORNER BRACKET
  • U+FE41
  • U+FE42
  • Ps, open
  • Pe, close
Common
﹃ ﹄
  • PRESENTATION FORM FOR VERTICAL LEFT WHITE CORNER BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT WHITE CORNER BRACKET
  • U+FE43
  • U+FE44
  • Ps, open
  • Pe, close
Common
﹇ ﹈
  • PRESENTATION FORM FOR VERTICAL LEFT SQUARE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT SQUARE BRACKET
  • U+FE47
  • U+FE48
  • Ps, open
  • Pe, close
Common
﹙ ﹚
  • SMALL LEFT PARENTHESIS
  • SMALL RIGHT PARENTHESIS
  • U+FE59
  • U+FE5A
  • Ps, open
  • Pe, close
Common
﹛ ﹜
  • SMALL LEFT CURLY BRACKET
  • SMALL RIGHT CURLY BRACKET
  • U+FE5B
  • U+FE5C
  • Ps, open
  • Pe, close
Common
﹝ ﹞
  • SMALL LEFT TORTOISE SHELL BRACKET
  • SMALL RIGHT TORTOISE SHELL BRACKET
  • U+FE5D
  • U+FE5E
  • Ps, open
  • Pe, close
Common
( )
  • FULLWIDTH LEFT PARENTHESIS
  • FULLWIDTH RIGHT PARENTHESIS
  • U+FF08
  • U+FF09
  • Ps, open
  • Pe, close
Common
[ ]
  • FULLWIDTH LEFT SQUARE BRACKET
  • FULLWIDTH RIGHT SQUARE BRACKET
  • U+FF3B
  • U+FF3D
  • Ps, open
  • Pe, close
Common
{ }
  • FULLWIDTH LEFT CURLY BRACKET
  • FULLWIDTH RIGHT CURLY BRACKET
  • U+FF5B
  • U+FF5D
  • Ps, open
  • Pe, close
Common
⦅ ⦆
  • FULLWIDTH LEFT WHITE PARENTHESIS
  • FULLWIDTH RIGHT WHITE PARENTHESIS
  • U+FF5F
  • U+FF60
  • Ps, open
  • Pe, close
Common
「 」
  • HALFWIDTH LEFT CORNER BRACKET
  • HALFWIDTH RIGHT CORNER BRACKET
  • U+FF62
  • U+FF63
  • Ps, open
  • Pe, close
Common
᚛ ᚜
  • OGHAM FEATHER MARK
  • OGHAM REVERSED FEATHER MARK
  • U+169B
  • U+169C
  • Ps, open
  • Pe, close
Ogham
༺ ༻
  • TIBETAN MARK GUG RTAGS GYON
  • TIBETAN MARK GUG RTAGS GYAS
  • U+0F3A
  • U+0F3B
  • Ps, open
  • Pe, close
Tibetan
༼ ༽
  • TIBETAN MARK ANG KHANG GYON
  • TIBETAN MARK ANG KHANG GYAS
  • U+0F3C
  • U+0F3D
  • Ps, open
  • Pe, close
Tibetan
Pc, connector
_LOW LINEU+005FPc, connectorCommon
UNDERTIEU+203FPc, connectorCommon
CHARACTER TIEU+2040Pc, connectorCommon
INVERTED UNDERTIEU+2054Pc, connectorCommon
PRESENTATION FORM FOR VERTICAL LOW LINEU+FE33Pc, connectorCommon
PRESENTATION FORM FOR VERTICAL WAVY LOW LINEU+FE34Pc, connectorCommon
DASHED LOW LINEU+FE4DPc, connectorCommon
CENTRELINE LOW LINEU+FE4EPc, connectorCommon
WAVY LOW LINEU+FE4FPc, connectorCommon
_FULLWIDTH LOW LINEU+FF3FPc, connectorCommon
Po, other
!EXCLAMATION MARKU+0021Po, otherCommon
"QUOTATION MARKU+0022Po, otherCommon
#NUMBER SIGNU+0023Po, otherCommon
%PERCENT SIGNU+0025Po, otherCommon
&AMPERSANDU+0026Po, otherCommon
'APOSTROPHEU+0027Po, otherCommon
*ASTERISKU+002APo, otherCommon
,COMMAU+002CPo, otherCommon
.FULL STOPU+002EPo, otherCommon
/SOLIDUSU+002FPo, otherCommon
:COLONU+003APo, otherCommon
;SEMICOLONU+003BPo, otherCommon
?QUESTION MARKU+003FPo, otherCommon
@COMMERCIAL ATU+0040Po, otherCommon
\REVERSE SOLIDUSU+005CPo, otherCommon
¡INVERTED EXCLAMATION MARKU+00A1Po, otherCommon
§SECTION SIGNU+00A7Po, otherCommon
PILCROW SIGNU+00B6Po, otherCommon
·MIDDLE DOTU+00B7Po, otherCommon
¿INVERTED QUESTION MARKU+00BFPo, otherCommon
;GREEK QUESTION MARKU+037EPo, otherCommon
·GREEK ANO TELEIAU+0387Po, otherCommon
،ARABIC COMMAU+060CPo, otherCommon
؛ARABIC SEMICOLONU+061BPo, otherCommon
؟ARABIC QUESTION MARKU+061FPo, otherCommon
DEVANAGARI DANDAU+0964Po, otherCommon
DEVANAGARI DOUBLE DANDAU+0965Po, otherCommon
GEORGIAN PARAGRAPH SEPARATORU+10FBPo, otherCommon
RUNIC SINGLE PUNCTUATIONU+16EBPo, otherCommon
RUNIC MULTIPLE PUNCTUATIONU+16ECPo, otherCommon
RUNIC CROSS PUNCTUATIONU+16EDPo, otherCommon
PHILIPPINE SINGLE PUNCTUATIONU+1735Po, otherCommon
PHILIPPINE DOUBLE PUNCTUATIONU+1736Po, otherCommon
MONGOLIAN COMMAU+1802Po, otherCommon
MONGOLIAN FULL STOPU+1803Po, otherCommon
MONGOLIAN FOUR DOTSU+1805Po, otherCommon
VEDIC SIGN NIHSHVASAU+1CD3Po, otherCommon
DOUBLE VERTICAL LINEU+2016Po, otherCommon
DOUBLE LOW LINEU+2017Po, otherCommon
DAGGERU+2020Po, otherCommon
DOUBLE DAGGERU+2021Po, otherCommon
BULLETU+2022Po, otherCommon
TRIANGULAR BULLETU+2023Po, otherCommon
ONE DOT LEADERU+2024Po, otherCommon
TWO DOT LEADERU+2025Po, otherCommon
HORIZONTAL ELLIPSISU+2026Po, otherCommon
HYPHENATION POINTU+2027Po, otherCommon
PER MILLE SIGNU+2030Po, otherCommon
PER TEN THOUSAND SIGNU+2031Po, otherCommon
PRIMEU+2032Po, otherCommon
DOUBLE PRIMEU+2033Po, otherCommon
TRIPLE PRIMEU+2034Po, otherCommon
REVERSED PRIMEU+2035Po, otherCommon
REVERSED DOUBLE PRIMEU+2036Po, otherCommon
REVERSED TRIPLE PRIMEU+2037Po, otherCommon
CARETU+2038Po, otherCommon
REFERENCE MARKU+203BPo, otherCommon
DOUBLE EXCLAMATION MARKU+203CPo, otherCommon
INTERROBANGU+203DPo, otherCommon
OVERLINEU+203EPo, otherCommon
CARET INSERTION POINTU+2041Po, otherCommon
ASTERISMU+2042Po, otherCommon
HYPHEN BULLETU+2043Po, otherCommon
DOUBLE QUESTION MARKU+2047Po, otherCommon
QUESTION EXCLAMATION MARKU+2048Po, otherCommon
EXCLAMATION QUESTION MARKU+2049Po, otherCommon
TIRONIAN SIGN ETU+204APo, otherCommon
REVERSED PILCROW SIGNU+204BPo, otherCommon
BLACK LEFTWARDS BULLETU+204CPo, otherCommon
BLACK RIGHTWARDS BULLETU+204DPo, otherCommon
LOW ASTERISKU+204EPo, otherCommon
REVERSED SEMICOLONU+204FPo, otherCommon
CLOSE UPU+2050Po, otherCommon
TWO ASTERISKS ALIGNED VERTICALLYU+2051Po, otherCommon
SWUNG DASHU+2053Po, otherCommon
FLOWER PUNCTUATION MARKU+2055Po, otherCommon
THREE DOT PUNCTUATIONU+2056Po, otherCommon
QUADRUPLE PRIMEU+2057Po, otherCommon
FOUR DOT PUNCTUATIONU+2058Po, otherCommon
FIVE DOT PUNCTUATIONU+2059Po, otherCommon
TWO DOT PUNCTUATIONU+205APo, otherCommon
FOUR DOT MARKU+205BPo, otherCommon
DOTTED CROSSU+205CPo, otherCommon
TRICOLONU+205DPo, otherCommon
VERTICAL FOUR DOTSU+205EPo, otherCommon
RIGHT ANGLE SUBSTITUTION MARKERU+2E00Po, otherCommon
RIGHT ANGLE DOTTED SUBSTITUTION MARKERU+2E01Po, otherCommon
RAISED INTERPOLATION MARKERU+2E06Po, otherCommon
RAISED DOTTED INTERPOLATION MARKERU+2E07Po, otherCommon
DOTTED TRANSPOSITION MARKERU+2E08Po, otherCommon
RAISED SQUAREU+2E0BPo, otherCommon
EDITORIAL CORONISU+2E0EPo, otherCommon
PARAGRAPHOSU+2E0FPo, otherCommon
FORKED PARAGRAPHOSU+2E10Po, otherCommon
REVERSED FORKED PARAGRAPHOSU+2E11Po, otherCommon
HYPODIASTOLEU+2E12Po, otherCommon
DOTTED OBELOSU+2E13Po, otherCommon
DOWNWARDS ANCORAU+2E14Po, otherCommon
UPWARDS ANCORAU+2E15Po, otherCommon
DOTTED RIGHT-POINTING ANGLEU+2E16Po, otherCommon
INVERTED INTERROBANGU+2E18Po, otherCommon
PALM BRANCHU+2E19Po, otherCommon
TILDE WITH RING ABOVEU+2E1BPo, otherCommon
TILDE WITH DOT ABOVEU+2E1EPo, otherCommon
TILDE WITH DOT BELOWU+2E1FPo, otherCommon
TWO DOTS OVER ONE DOT PUNCTUATIONU+2E2APo, otherCommon
ONE DOT OVER TWO DOTS PUNCTUATIONU+2E2BPo, otherCommon
SQUARED FOUR DOT PUNCTUATIONU+2E2CPo, otherCommon
FIVE DOT MARKU+2E2DPo, otherCommon
REVERSED QUESTION MARKU+2E2EPo, otherCommon
RING POINTU+2E30Po, otherCommon
WORD SEPARATOR MIDDLE DOTU+2E31Po, otherCommon
TURNED COMMAU+2E32Po, otherCommon
RAISED DOTU+2E33Po, otherCommon
RAISED COMMAU+2E34Po, otherCommon
TURNED SEMICOLONU+2E35Po, otherCommon
DAGGER WITH LEFT GUARDU+2E36Po, otherCommon
DAGGER WITH RIGHT GUARDU+2E37Po, otherCommon
TURNED DAGGERU+2E38Po, otherCommon
TOP HALF SECTION SIGNU+2E39Po, otherCommon
STENOGRAPHIC FULL STOPU+2E3CPo, otherCommon
VERTICAL SIX DOTSU+2E3DPo, otherCommon
WIGGLY VERTICAL LINEU+2E3EPo, otherCommon
⸿CAPITULUMU+2E3FPo, otherCommon
REVERSED COMMAU+2E41Po, otherCommon
DASH WITH LEFT UPTURNU+2E43Po, otherCommon
DOUBLE SUSPENSION MARKU+2E44Po, otherCommon
INVERTED LOW KAVYKAU+2E45Po, otherCommon
INVERTED LOW KAVYKA WITH KAVYKA ABOVEU+2E46Po, otherCommon
LOW KAVYKAU+2E47Po, otherCommon
LOW KAVYKA WITH DOTU+2E48Po, otherCommon
DOUBLE STACKED COMMAU+2E49Po, otherCommon
DOTTED SOLIDUSU+2E4APo, otherCommon
TRIPLE DAGGERU+2E4BPo, otherCommon
MEDIEVAL COMMAU+2E4CPo, otherCommon
PARAGRAPHUS MARKU+2E4DPo, otherCommon
PUNCTUS ELEVATUS MARKU+2E4EPo, otherCommon
CORNISH VERSE DIVIDERU+2E4FPo, otherCommon
TIRONIAN SIGN CAPITAL ETU+2E52Po, otherCommon
IDEOGRAPHIC COMMAU+3001Po, otherCommon
IDEOGRAPHIC FULL STOPU+3002Po, otherCommon
DITTO MARKU+3003Po, otherCommon
PART ALTERNATION MARKU+303DPo, otherCommon
KATAKANA MIDDLE DOTU+30FBPo, otherCommon
KAYAH LI SIGN CWIU+A92EPo, otherCommon
PRESENTATION FORM FOR VERTICAL COMMAU+FE10Po, otherCommon
PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC COMMAU+FE11Po, otherCommon
PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC FULL STOPU+FE12Po, otherCommon
PRESENTATION FORM FOR VERTICAL COLONU+FE13Po, otherCommon
PRESENTATION FORM FOR VERTICAL SEMICOLONU+FE14Po, otherCommon
PRESENTATION FORM FOR VERTICAL EXCLAMATION MARKU+FE15Po, otherCommon
PRESENTATION FORM FOR VERTICAL QUESTION MARKU+FE16Po, otherCommon
PRESENTATION FORM FOR VERTICAL HORIZONTAL ELLIPSISU+FE19Po, otherCommon
PRESENTATION FORM FOR VERTICAL TWO DOT LEADERU+FE30Po, otherCommon
SESAME DOTU+FE45Po, otherCommon
WHITE SESAME DOTU+FE46Po, otherCommon
DASHED OVERLINEU+FE49Po, otherCommon
CENTRELINE OVERLINEU+FE4APo, otherCommon
WAVY OVERLINEU+FE4BPo, otherCommon
DOUBLE WAVY OVERLINEU+FE4CPo, otherCommon
SMALL COMMAU+FE50Po, otherCommon
SMALL IDEOGRAPHIC COMMAU+FE51Po, otherCommon
SMALL FULL STOPU+FE52Po, otherCommon
SMALL SEMICOLONU+FE54Po, otherCommon
SMALL COLONU+FE55Po, otherCommon
SMALL QUESTION MARKU+FE56Po, otherCommon
SMALL EXCLAMATION MARKU+FE57Po, otherCommon
SMALL NUMBER SIGNU+FE5FPo, otherCommon
SMALL AMPERSANDU+FE60Po, otherCommon
SMALL ASTERISKU+FE61Po, otherCommon
SMALL REVERSE SOLIDUSU+FE68Po, otherCommon
SMALL PERCENT SIGNU+FE6APo, otherCommon
SMALL COMMERCIAL ATU+FE6BPo, otherCommon
FULLWIDTH EXCLAMATION MARKU+FF01Po, otherCommon
FULLWIDTH QUOTATION MARKU+FF02Po, otherCommon
FULLWIDTH NUMBER SIGNU+FF03Po, otherCommon
FULLWIDTH PERCENT SIGNU+FF05Po, otherCommon
FULLWIDTH AMPERSANDU+FF06Po, otherCommon
FULLWIDTH APOSTROPHEU+FF07Po, otherCommon
FULLWIDTH ASTERISKU+FF0APo, otherCommon
FULLWIDTH COMMAU+FF0CPo, otherCommon
FULLWIDTH FULL STOPU+FF0EPo, otherCommon
FULLWIDTH SOLIDUSU+FF0FPo, otherCommon
FULLWIDTH COLONU+FF1APo, otherCommon
FULLWIDTH SEMICOLONU+FF1BPo, otherCommon
FULLWIDTH QUESTION MARKU+FF1FPo, otherCommon
FULLWIDTH COMMERCIAL ATU+FF20Po, otherCommon
FULLWIDTH REVERSE SOLIDUSU+FF3CPo, otherCommon
HALFWIDTH IDEOGRAPHIC FULL STOPU+FF61Po, otherCommon
HALFWIDTH IDEOGRAPHIC COMMAU+FF64Po, otherCommon
HALFWIDTH KATAKANA MIDDLE DOTU+FF65Po, otherCommon
𐄀AEGEAN WORD SEPARATOR LINEU+10100Po, otherCommon
𐄁AEGEAN WORD SEPARATOR DOTU+10101Po, otherCommon
𐄂AEGEAN CHECK MARKU+10102Po, otherCommon
𖿢OLD CHINESE HOOK MARKU+16FE2Po, otherCommon
𞥞ADLAM INITIAL EXCLAMATION MARKU+1E95EPo, otherAdlam
𞥟ADLAM INITIAL QUESTION MARKU+1E95FPo, otherAdlam
՚ARMENIAN APOSTROPHEU+055APo, otherArmenian
՛ARMENIAN EMPHASIS MARKU+055BPo, otherArmenian
՜ARMENIAN EXCLAMATION MARKU+055CPo, otherArmenian
՝ARMENIAN COMMAU+055DPo, otherArmenian
՞ARMENIAN QUESTION MARKU+055EPo, otherArmenian
՟ARMENIAN ABBREVIATION MARKU+055FPo, otherArmenian
։ARMENIAN FULL STOPU+0589Po, otherArmenian
؉ARABIC-INDIC PER MILLE SIGNU+0609Po, otherArabic
؊ARABIC-INDIC PER TEN THOUSAND SIGNU+060APo, otherArabic
؍ARABIC DATE SEPARATORU+060DPo, otherArabic
؞ARABIC TRIPLE DOT PUNCTUATION MARKU+061EPo, otherArabic
٪ARABIC PERCENT SIGNU+066APo, otherArabic
٫ARABIC DECIMAL SEPARATORU+066BPo, otherArabic
٬ARABIC THOUSANDS SEPARATORU+066CPo, otherArabic
٭ARABIC FIVE POINTED STARU+066DPo, otherArabic
۔ARABIC FULL STOPU+06D4Po, otherArabic
𑜼AHOM SIGN SMALL SECTIONU+1173CPo, otherAhom
𑜽AHOM SIGN SECTIONU+1173DPo, otherAhom
𑜾AHOM SIGN RULAIU+1173EPo, otherAhom
𐬹AVESTAN ABBREVIATION MARKU+10B39Po, otherAvestan
𐬺TINY TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3APo, otherAvestan
𐬻SMALL TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3BPo, otherAvestan
𐬼LARGE TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3CPo, otherAvestan
𐬽LARGE ONE DOT OVER TWO DOTS PUNCTUATIONU+10B3DPo, otherAvestan
𐬾LARGE TWO RINGS OVER ONE RING PUNCTUATIONU+10B3EPo, otherAvestan
𐬿LARGE ONE RING OVER TWO RINGS PUNCTUATIONU+10B3FPo, otherAvestan
BALINESE PANTIU+1B5APo, otherBalinese
BALINESE PAMADAU+1B5BPo, otherBalinese
BALINESE WINDUU+1B5CPo, otherBalinese
BALINESE CARIK PAMUNGKAHU+1B5DPo, otherBalinese
BALINESE CARIK SIKIU+1B5EPo, otherBalinese
BALINESE CARIK PARERENU+1B5FPo, otherBalinese
BALINESE PAMENENGU+1B60Po, otherBalinese
BAMUM NJAEMLIU+A6F2Po, otherBamum
BAMUM FULL STOPU+A6F3Po, otherBamum
BAMUM COLONU+A6F4Po, otherBamum
BAMUM COMMAU+A6F5Po, otherBamum
BAMUM SEMICOLONU+A6F6Po, otherBamum
BAMUM QUESTION MARKU+A6F7Po, otherBamum
𖫵BASSA VAH FULL STOPU+16AF5Po, otherBassa Vah
BATAK SYMBOL BINDU NA METEKU+1BFCPo, otherBatak
BATAK SYMBOL BINDU PINARBORASU+1BFDPo, otherBatak
BATAK SYMBOL BINDU JUDULU+1BFEPo, otherBatak
᯿BATAK SYMBOL BINDU PANGOLATU+1BFFPo, otherBatak
BENGALI ABBREVIATION SIGNU+09FDPo, otherBengali
𑱁BHAIKSUKI DANDAU+11C41Po, otherBhaiksuki
𑱂BHAIKSUKI DOUBLE DANDAU+11C42Po, otherBhaiksuki
𑱃BHAIKSUKI WORD SEPARATORU+11C43Po, otherBhaiksuki
𑱄BHAIKSUKI GAP FILLER-1U+11C44Po, otherBhaiksuki
𑱅BHAIKSUKI GAP FILLER-2U+11C45Po, otherBhaiksuki
𑁇BRAHMI DANDAU+11047Po, otherBrahmi
𑁈BRAHMI DOUBLE DANDAU+11048Po, otherBrahmi
𑁉BRAHMI PUNCTUATION DOTU+11049Po, otherBrahmi
𑁊BRAHMI PUNCTUATION DOUBLE DOTU+1104APo, otherBrahmi
𑁋BRAHMI PUNCTUATION LINEU+1104BPo, otherBrahmi
𑁌BRAHMI PUNCTUATION CRESCENT BARU+1104CPo, otherBrahmi
𑁍BRAHMI PUNCTUATION LOTUSU+1104DPo, otherBrahmi
BUGINESE PALLAWAU+1A1EPo, otherBuginese
BUGINESE END OF SECTIONU+1A1FPo, otherBuginese
CANADIAN SYLLABICS FULL STOPU+166EPo, otherCanadian Aboriginal
𑅀CHAKMA SECTION MARKU+11140Po, otherChakma
𑅁CHAKMA DANDAU+11141Po, otherChakma
𑅂CHAKMA DOUBLE DANDAU+11142Po, otherChakma
𑅃CHAKMA QUESTION MARKU+11143Po, otherChakma
CHAM PUNCTUATION SPIRALU+AA5CPo, otherCham
CHAM PUNCTUATION DANDAU+AA5DPo, otherCham
CHAM PUNCTUATION DOUBLE DANDAU+AA5EPo, otherCham
CHAM PUNCTUATION TRIPLE DANDAU+AA5FPo, otherCham
COPTIC OLD NUBIAN FULL STOPU+2CF9Po, otherCoptic
COPTIC OLD NUBIAN DIRECT QUESTION MARKU+2CFAPo, otherCoptic
COPTIC OLD NUBIAN INDIRECT QUESTION MARKU+2CFBPo, otherCoptic
COPTIC OLD NUBIAN VERSE DIVIDERU+2CFCPo, otherCoptic
COPTIC FULL STOPU+2CFEPo, otherCoptic
⳿COPTIC MORPHOLOGICAL DIVIDERU+2CFFPo, otherCoptic
𒑰CUNEIFORM PUNCTUATION SIGN OLD ASSYRIAN WORD DIVIDERU+12470Po, otherCuneiform
𒑱CUNEIFORM PUNCTUATION SIGN VERTICAL COLONU+12471Po, otherCuneiform
𒑲CUNEIFORM PUNCTUATION SIGN DIAGONAL COLONU+12472Po, otherCuneiform
𒑳CUNEIFORM PUNCTUATION SIGN DIAGONAL TRICOLONU+12473Po, otherCuneiform
𒑴CUNEIFORM PUNCTUATION SIGN DIAGONAL QUADCOLONU+12474Po, otherCuneiform
SLAVONIC ASTERISKU+A673Po, otherCyrillic
CYRILLIC KAVYKAU+A67EPo, otherCyrillic
𐕯CAUCASIAN ALBANIAN CITATION MARKU+1056FPo, otherCaucasian Albanian
DEVANAGARI ABBREVIATION SIGNU+0970Po, otherDevanagari
DEVANAGARI SIGN PUSHPIKAU+A8F8Po, otherDevanagari
DEVANAGARI GAP FILLERU+A8F9Po, otherDevanagari
DEVANAGARI CARETU+A8FAPo, otherDevanagari
DEVANAGARI SIGN SIDDHAMU+A8FCPo, otherDevanagari
𑥄DIVES AKURU DOUBLE DANDAU+11944Po, otherDives Akuru
𑥅DIVES AKURU GAP FILLERU+11945Po, otherDives Akuru
𑥆DIVES AKURU END OF TEXT MARKU+11946Po, otherDives Akuru
𑠻DOGRA ABBREVIATION SIGNU+1183BPo, otherDogra
𛲟DUPLOYAN PUNCTUATION CHINOOK FULL STOPU+1BC9FPo, otherDuployan
ETHIOPIC SECTION MARKU+1360Po, otherEthiopic
ETHIOPIC WORDSPACEU+1361Po, otherEthiopic
ETHIOPIC FULL STOPU+1362Po, otherEthiopic
ETHIOPIC COMMAU+1363Po, otherEthiopic
ETHIOPIC SEMICOLONU+1364Po, otherEthiopic
ETHIOPIC COLONU+1365Po, otherEthiopic
ETHIOPIC PREFACE COLONU+1366Po, otherEthiopic
ETHIOPIC QUESTION MARKU+1367Po, otherEthiopic
ETHIOPIC PARAGRAPH SEPARATORU+1368Po, otherEthiopic
GURMUKHI ABBREVIATION SIGNU+0A76Po, otherGurmukhi
GUJARATI ABBREVIATION SIGNU+0AF0Po, otherGujarati
׀HEBREW PUNCTUATION PASEQU+05C0Po, otherHebrew
׃HEBREW PUNCTUATION SOF PASUQU+05C3Po, otherHebrew
׆HEBREW PUNCTUATION NUN HAFUKHAU+05C6Po, otherHebrew
׳HEBREW PUNCTUATION GERESHU+05F3Po, otherHebrew
״HEBREW PUNCTUATION GERSHAYIMU+05F4Po, otherHebrew
𐡗IMPERIAL ARAMAIC SECTION SIGNU+10857Po, otherImperial Aramaic
JAVANESE LEFT RERENGGANU+A9C1Po, otherJavanese
JAVANESE RIGHT RERENGGANU+A9C2Po, otherJavanese
JAVANESE PADA ANDAPU+A9C3Po, otherJavanese
JAVANESE PADA MADYAU+A9C4Po, otherJavanese
JAVANESE PADA LUHURU+A9C5Po, otherJavanese
JAVANESE PADA WINDUU+A9C6Po, otherJavanese
JAVANESE PADA PANGKATU+A9C7Po, otherJavanese
JAVANESE PADA LINGSAU+A9C8Po, otherJavanese
JAVANESE PADA LUNGSIU+A9C9Po, otherJavanese
JAVANESE PADA ADEGU+A9CAPo, otherJavanese
JAVANESE PADA ADEG ADEGU+A9CBPo, otherJavanese
JAVANESE PADA PISELEHU+A9CCPo, otherJavanese
JAVANESE TURNED PADA PISELEHU+A9CDPo, otherJavanese
JAVANESE PADA TIRTA TUMETESU+A9DEPo, otherJavanese
JAVANESE PADA ISEN-ISENU+A9DFPo, otherJavanese
𑂻KAITHI ABBREVIATION SIGNU+110BBPo, otherKaithi
𑂼KAITHI ENUMERATION SIGNU+110BCPo, otherKaithi
𑂾KAITHI SECTION MARKU+110BEPo, otherKaithi
𑂿KAITHI DOUBLE SECTION MARKU+110BFPo, otherKaithi
𑃀KAITHI DANDAU+110C0Po, otherKaithi
𑃁KAITHI DOUBLE DANDAU+110C1Po, otherKaithi
KANNADA SIGN SIDDHAMU+0C84Po, otherKannada
KAYAH LI SIGN SHYAU+A92FPo, otherKayah Li
𐩐KHAROSHTHI PUNCTUATION DOTU+10A50Po, otherKharoshthi
𐩑KHAROSHTHI PUNCTUATION SMALL CIRCLEU+10A51Po, otherKharoshthi
𐩒KHAROSHTHI PUNCTUATION CIRCLEU+10A52Po, otherKharoshthi
𐩓KHAROSHTHI PUNCTUATION CRESCENT BARU+10A53Po, otherKharoshthi
𐩔KHAROSHTHI PUNCTUATION MANGALAMU+10A54Po, otherKharoshthi
𐩕KHAROSHTHI PUNCTUATION LOTUSU+10A55Po, otherKharoshthi
𐩖KHAROSHTHI PUNCTUATION DANDAU+10A56Po, otherKharoshthi
𐩗KHAROSHTHI PUNCTUATION DOUBLE DANDAU+10A57Po, otherKharoshthi
𐩘KHAROSHTHI PUNCTUATION LINESU+10A58Po, otherKharoshthi
KHMER SIGN KHANU+17D4Po, otherKhmer
KHMER SIGN BARIYOOSANU+17D5Po, otherKhmer
KHMER SIGN CAMNUC PII KUUHU+17D6Po, otherKhmer
KHMER SIGN BEYYALU+17D8Po, otherKhmer
KHMER SIGN PHNAEK MUANU+17D9Po, otherKhmer
KHMER SIGN KOOMUUTU+17DAPo, otherKhmer
𑈸KHOJKI DANDAU+11238Po, otherKhojki
𑈹KHOJKI DOUBLE DANDAU+11239Po, otherKhojki
𑈺KHOJKI WORD SEPARATORU+1123APo, otherKhojki
𑈻KHOJKI SECTION MARKU+1123BPo, otherKhojki
𑈼KHOJKI DOUBLE SECTION MARKU+1123CPo, otherKhojki
𑈽KHOJKI ABBREVIATION SIGNU+1123DPo, otherKhojki
LEPCHA PUNCTUATION TA-ROLU+1C3BPo, otherLepcha
LEPCHA PUNCTUATION NYET THYOOM TA-ROLU+1C3CPo, otherLepcha
LEPCHA PUNCTUATION CER-WAU+1C3DPo, otherLepcha
LEPCHA PUNCTUATION TSHOOK CER-WAU+1C3EPo, otherLepcha
᰿LEPCHA PUNCTUATION TSHOOKU+1C3FPo, otherLepcha
LIMBU EXCLAMATION MARKU+1944Po, otherLimbu
LIMBU QUESTION MARKU+1945Po, otherLimbu
LISU PUNCTUATION COMMAU+A4FEPo, otherLisu
LISU PUNCTUATION FULL STOPU+A4FFPo, otherLisu
𐤿LYDIAN TRIANGULAR MARKU+1093FPo, otherLydian
𑅴MAHAJANI ABBREVIATION SIGNU+11174Po, otherMahajani
𑅵MAHAJANI SECTION MARKU+11175Po, otherMahajani
𑻷MAKASAR PASSIMBANGU+11EF7Po, otherMakasar
𑻸MAKASAR END OF SECTIONU+11EF8Po, otherMakasar
𐫰MANICHAEAN PUNCTUATION STARU+10AF0Po, otherManichaean
𐫱MANICHAEAN PUNCTUATION FLEURONU+10AF1Po, otherManichaean
𐫲MANICHAEAN PUNCTUATION DOUBLE DOT WITHIN DOTU+10AF2Po, otherManichaean
𐫳MANICHAEAN PUNCTUATION DOT WITHIN DOTU+10AF3Po, otherManichaean
𐫴MANICHAEAN PUNCTUATION DOTU+10AF4Po, otherManichaean
𐫵MANICHAEAN PUNCTUATION TWO DOTSU+10AF5Po, otherManichaean
𐫶MANICHAEAN PUNCTUATION LINE FILLERU+10AF6Po, otherManichaean
𑱰MARCHEN HEAD MARKU+11C70Po, otherMarchen
𑱱MARCHEN MARK SHADU+11C71Po, otherMarchen
𖺗MEDEFAIDRIN COMMAU+16E97Po, otherMedefaidrin
𖺘MEDEFAIDRIN FULL STOPU+16E98Po, otherMedefaidrin
𖺙MEDEFAIDRIN SYMBOL AIVAU+16E99Po, otherMedefaidrin
𖺚MEDEFAIDRIN EXCLAMATION OHU+16E9APo, otherMedefaidrin
MEETEI MAYEK CHEIKHANU+AAF0Po, otherMeetei Mayek
MEETEI MAYEK AHANG KHUDAMU+AAF1Po, otherMeetei Mayek
MEETEI MAYEK CHEIKHEIU+ABEBPo, otherMeetei Mayek
𑙁MODI DANDAU+11641Po, otherModi
𑙂MODI DOUBLE DANDAU+11642Po, otherModi
𑙃MODI ABBREVIATION SIGNU+11643Po, otherModi
MONGOLIAN BIRGAU+1800Po, otherMongolian
MONGOLIAN ELLIPSISU+1801Po, otherMongolian
MONGOLIAN COLONU+1804Po, otherMongolian
MONGOLIAN SIBE SYLLABLE BOUNDARY MARKERU+1807Po, otherMongolian
MONGOLIAN MANCHU COMMAU+1808Po, otherMongolian
MONGOLIAN MANCHU FULL STOPU+1809Po, otherMongolian
MONGOLIAN NIRUGUU+180APo, otherMongolian
𑙠MONGOLIAN BIRGA WITH ORNAMENTU+11660Po, otherMongolian
𑙡MONGOLIAN ROTATED BIRGAU+11661Po, otherMongolian
𑙢MONGOLIAN DOUBLE BIRGA WITH ORNAMENTU+11662Po, otherMongolian
𑙣MONGOLIAN TRIPLE BIRGA WITH ORNAMENTU+11663Po, otherMongolian
𑙤MONGOLIAN BIRGA WITH DOUBLE ORNAMENTU+11664Po, otherMongolian
𑙥MONGOLIAN ROTATED BIRGA WITH ORNAMENTU+11665Po, otherMongolian
𑙦MONGOLIAN ROTATED BIRGA WITH DOUBLE ORNAMENTU+11666Po, otherMongolian
𑙧MONGOLIAN INVERTED BIRGAU+11667Po, otherMongolian
𑙨MONGOLIAN INVERTED BIRGA WITH DOUBLE ORNAMENTU+11668Po, otherMongolian
𑙩MONGOLIAN SWIRL BIRGAU+11669Po, otherMongolian
𑙪MONGOLIAN SWIRL BIRGA WITH ORNAMENTU+1166APo, otherMongolian
𑙫MONGOLIAN SWIRL BIRGA WITH DOUBLE ORNAMENTU+1166BPo, otherMongolian
𑙬MONGOLIAN TURNED SWIRL BIRGA WITH DOUBLE ORNAMENTU+1166CPo, otherMongolian
𖩮MRO DANDAU+16A6EPo, otherMro
𖩯MRO DOUBLE DANDAU+16A6FPo, otherMro
𑊩MULTANI SECTION MARKU+112A9Po, otherMultani
MYANMAR SIGN LITTLE SECTIONU+104APo, otherMyanmar
MYANMAR SIGN SECTIONU+104BPo, otherMyanmar
MYANMAR SYMBOL LOCATIVEU+104CPo, otherMyanmar
MYANMAR SYMBOL COMPLETEDU+104DPo, otherMyanmar
MYANMAR SYMBOL AFOREMENTIONEDU+104EPo, otherMyanmar
MYANMAR SYMBOL GENITIVEU+104FPo, otherMyanmar
߷NKO SYMBOL GBAKURUNENU+07F7Po, otherN'Ko
߸NKO COMMAU+07F8Po, otherN'Ko
߹NKO EXCLAMATION MARKU+07F9Po, otherN'Ko
𑧢NANDINAGARI SIGN SIDDHAMU+119E2Po, otherNandinagari
𑑋NEWA DANDAU+1144BPo, otherNewa
𑑌NEWA DOUBLE DANDAU+1144CPo, otherNewa
𑑍NEWA COMMAU+1144DPo, otherNewa
𑑎NEWA GAP FILLERU+1144EPo, otherNewa
𑑏NEWA ABBREVIATION SIGNU+1144FPo, otherNewa
𑑚NEWA DOUBLE COMMAU+1145APo, otherNewa
𑑛NEWA PLACEHOLDER MARKU+1145BPo, otherNewa
𑑝NEWA INSERTION SIGNU+1145DPo, otherNewa
OL CHIKI PUNCTUATION MUCAADU+1C7EPo, otherOl Chiki
᱿OL CHIKI PUNCTUATION DOUBLE MUCAADU+1C7FPo, otherOl Chiki
𐏐OLD PERSIAN WORD DIVIDERU+103D0Po, otherOld Persian
𐩿OLD SOUTH ARABIAN NUMERIC INDICATORU+10A7FPo, otherOld South Arabian
𖬷PAHAWH HMONG SIGN VOS THOMU+16B37Po, otherPahawh Hmong
𖬸PAHAWH HMONG SIGN VOS TSHAB CEEBU+16B38Po, otherPahawh Hmong
𖬹PAHAWH HMONG SIGN CIM CHEEMU+16B39Po, otherPahawh Hmong
𖬺PAHAWH HMONG SIGN VOS THIABU+16B3APo, otherPahawh Hmong
𖬻PAHAWH HMONG SIGN VOS FEEMU+16B3BPo, otherPahawh Hmong
𖭄PAHAWH HMONG SIGN XAUSU+16B44Po, otherPahawh Hmong
PHAGS-PA SINGLE HEAD MARKU+A874Po, otherPhags-pa
PHAGS-PA DOUBLE HEAD MARKU+A875Po, otherPhags-pa
PHAGS-PA MARK SHADU+A876Po, otherPhags-pa
PHAGS-PA MARK DOUBLE SHADU+A877Po, otherPhags-pa
𐤟PHOENICIAN WORD SEPARATORU+1091FPo, otherPhoenician
𐮙PSALTER PAHLAVI SECTION MARKU+10B99Po, otherPsalter Pahlavi
𐮚PSALTER PAHLAVI TURNED SECTION MARKU+10B9APo, otherPsalter Pahlavi
𐮛PSALTER PAHLAVI FOUR DOTS WITH CROSSU+10B9BPo, otherPsalter Pahlavi
𐮜PSALTER PAHLAVI FOUR DOTS WITH DOTU+10B9CPo, otherPsalter Pahlavi
REJANG SECTION MARKU+A95FPo, otherRejang
SAMARITAN PUNCTUATION NEQUDAAU+0830Po, otherSamaritan
SAMARITAN PUNCTUATION AFSAAQU+0831Po, otherSamaritan
SAMARITAN PUNCTUATION ANGEDU+0832Po, otherSamaritan
SAMARITAN PUNCTUATION BAUU+0833Po, otherSamaritan
SAMARITAN PUNCTUATION ATMAAUU+0834Po, otherSamaritan
SAMARITAN PUNCTUATION SHIYYAALAAU+0835Po, otherSamaritan
SAMARITAN ABBREVIATION MARKU+0836Po, otherSamaritan
SAMARITAN PUNCTUATION MELODIC QITSAU+0837Po, otherSamaritan
SAMARITAN PUNCTUATION ZIQAAU+0838Po, otherSamaritan
SAMARITAN PUNCTUATION QITSAU+0839Po, otherSamaritan
SAMARITAN PUNCTUATION ZAEFU+083APo, otherSamaritan
SAMARITAN PUNCTUATION TURUU+083BPo, otherSamaritan
SAMARITAN PUNCTUATION ARKAANUU+083CPo, otherSamaritan
SAMARITAN PUNCTUATION SOF MASHFAATU+083DPo, otherSamaritan
SAMARITAN PUNCTUATION ANNAAUU+083EPo, otherSamaritan
SAURASHTRA DANDAU+A8CEPo, otherSaurashtra
SAURASHTRA DOUBLE DANDAU+A8CFPo, otherSaurashtra
𑇅SHARADA DANDAU+111C5Po, otherSharada
𑇆SHARADA DOUBLE DANDAU+111C6Po, otherSharada
𑇇SHARADA ABBREVIATION SIGNU+111C7Po, otherSharada
𑇈SHARADA SEPARATORU+111C8Po, otherSharada
𑇍SHARADA SUTRA MARKU+111CDPo, otherSharada
𑇛SHARADA SIGN SIDDHAMU+111DBPo, otherSharada
𑇝SHARADA CONTINUATION SIGNU+111DDPo, otherSharada
𑇞SHARADA SECTION MARK-1U+111DEPo, otherSharada
𑇟SHARADA SECTION MARK-2U+111DFPo, otherSharada
𑗁SIDDHAM SIGN SIDDHAMU+115C1Po, otherSiddham
𑗂SIDDHAM DANDAU+115C2Po, otherSiddham
𑗃SIDDHAM DOUBLE DANDAU+115C3Po, otherSiddham
𑗄SIDDHAM SEPARATOR DOTU+115C4Po, otherSiddham
𑗅SIDDHAM SEPARATOR BARU+115C5Po, otherSiddham
𑗆SIDDHAM REPETITION MARK-1U+115C6Po, otherSiddham
𑗇SIDDHAM REPETITION MARK-2U+115C7Po, otherSiddham
𑗈SIDDHAM REPETITION MARK-3U+115C8Po, otherSiddham
𑗉SIDDHAM END OF TEXT MARKU+115C9Po, otherSiddham
𑗊SIDDHAM SECTION MARK WITH TRIDENT AND U-SHAPED ORNAMENTSU+115CAPo, otherSiddham
𑗋SIDDHAM SECTION MARK WITH TRIDENT AND DOTTED CRESCENTSU+115CBPo, otherSiddham
𑗌SIDDHAM SECTION MARK WITH RAYS AND DOTTED CRESCENTSU+115CCPo, otherSiddham
𑗍SIDDHAM SECTION MARK WITH RAYS AND DOTTED DOUBLE CRESCENTSU+115CDPo, otherSiddham
𑗎SIDDHAM SECTION MARK WITH RAYS AND DOTTED TRIPLE CRESCENTSU+115CEPo, otherSiddham
𑗏SIDDHAM SECTION MARK DOUBLE RINGU+115CFPo, otherSiddham
𑗐SIDDHAM SECTION MARK DOUBLE RING WITH RAYSU+115D0Po, otherSiddham
𑗑SIDDHAM SECTION MARK WITH DOUBLE CRESCENTSU+115D1Po, otherSiddham
𑗒SIDDHAM SECTION MARK WITH TRIPLE CRESCENTSU+115D2Po, otherSiddham
𑗓SIDDHAM SECTION MARK WITH QUADRUPLE CRESCENTSU+115D3Po, otherSiddham
𑗔SIDDHAM SECTION MARK WITH SEPTUPLE CRESCENTSU+115D4Po, otherSiddham
𑗕SIDDHAM SECTION MARK WITH CIRCLES AND RAYSU+115D5Po, otherSiddham
𑗖SIDDHAM SECTION MARK WITH CIRCLES AND TWO ENCLOSURESU+115D6Po, otherSiddham
𑗗SIDDHAM SECTION MARK WITH CIRCLES AND FOUR ENCLOSURESU+115D7Po, otherSiddham
𝪇SIGNWRITING COMMAU+1DA87Po, otherSignWriting
𝪈SIGNWRITING FULL STOPU+1DA88Po, otherSignWriting
𝪉SIGNWRITING SEMICOLONU+1DA89Po, otherSignWriting
𝪊SIGNWRITING COLONU+1DA8APo, otherSignWriting
𝪋SIGNWRITING PARENTHESISU+1DA8BPo, otherSignWriting
SINHALA PUNCTUATION KUNDDALIYAU+0DF4Po, otherSinhala
𐽕SOGDIAN PUNCTUATION TWO VERTICAL BARSU+10F55Po, otherSogdian
𐽖SOGDIAN PUNCTUATION TWO VERTICAL BARS WITH DOTSU+10F56Po, otherSogdian
𐽗SOGDIAN PUNCTUATION CIRCLE WITH DOTU+10F57Po, otherSogdian
𐽘SOGDIAN PUNCTUATION TWO CIRCLES WITH DOTSU+10F58Po, otherSogdian
𐽙SOGDIAN PUNCTUATION HALF CIRCLE WITH DOTU+10F59Po, otherSogdian
𑪚SOYOMBO MARK TSHEGU+11A9APo, otherSoyombo
𑪛SOYOMBO MARK SHADU+11A9BPo, otherSoyombo
𑪜SOYOMBO MARK DOUBLE SHADU+11A9CPo, otherSoyombo
𑪞SOYOMBO HEAD MARK WITH MOON AND SUN AND TRIPLE FLAMEU+11A9EPo, otherSoyombo
𑪟SOYOMBO HEAD MARK WITH MOON AND SUN AND FLAMEU+11A9FPo, otherSoyombo
𑪠SOYOMBO HEAD MARK WITH MOON AND SUNU+11AA0Po, otherSoyombo
𑪡SOYOMBO TERMINAL MARK-1U+11AA1Po, otherSoyombo
𑪢SOYOMBO TERMINAL MARK-2U+11AA2Po, otherSoyombo
SUNDANESE PUNCTUATION BINDU SURYAU+1CC0Po, otherSundanese
SUNDANESE PUNCTUATION BINDU PANGLONGU+1CC1Po, otherSundanese
SUNDANESE PUNCTUATION BINDU PURNAMAU+1CC2Po, otherSundanese
SUNDANESE PUNCTUATION BINDU CAKRAU+1CC3Po, otherSundanese
SUNDANESE PUNCTUATION BINDU LEU SATANGAU+1CC4Po, otherSundanese
SUNDANESE PUNCTUATION BINDU KA SATANGAU+1CC5Po, otherSundanese
SUNDANESE PUNCTUATION BINDU DA SATANGAU+1CC6Po, otherSundanese
SUNDANESE PUNCTUATION BINDU BA SATANGAU+1CC7Po, otherSundanese
܀SYRIAC END OF PARAGRAPHU+0700Po, otherSyriac
܁SYRIAC SUPRALINEAR FULL STOPU+0701Po, otherSyriac
܂SYRIAC SUBLINEAR FULL STOPU+0702Po, otherSyriac
܃SYRIAC SUPRALINEAR COLONU+0703Po, otherSyriac
܄SYRIAC SUBLINEAR COLONU+0704Po, otherSyriac
܅SYRIAC HORIZONTAL COLONU+0705Po, otherSyriac
܆SYRIAC COLON SKEWED LEFTU+0706Po, otherSyriac
܇SYRIAC COLON SKEWED RIGHTU+0707Po, otherSyriac
܈SYRIAC SUPRALINEAR COLON SKEWED LEFTU+0708Po, otherSyriac
܉SYRIAC SUBLINEAR COLON SKEWED RIGHTU+0709Po, otherSyriac
܊SYRIAC CONTRACTIONU+070APo, otherSyriac
܋SYRIAC HARKLEAN OBELUSU+070BPo, otherSyriac
܌SYRIAC HARKLEAN METOBELUSU+070CPo, otherSyriac
܍SYRIAC HARKLEAN ASTERISCUSU+070DPo, otherSyriac
TAI THAM SIGN WIANGU+1AA0Po, otherTai Tham
TAI THAM SIGN WIANGWAAKU+1AA1Po, otherTai Tham
TAI THAM SIGN SAWANU+1AA2Po, otherTai Tham
TAI THAM SIGN KEOWU+1AA3Po, otherTai Tham
TAI THAM SIGN HOYU+1AA4Po, otherTai Tham
TAI THAM SIGN DOKMAIU+1AA5Po, otherTai Tham
TAI THAM SIGN REVERSED ROTATED RANAU+1AA6Po, otherTai Tham
TAI THAM SIGN KAANU+1AA8Po, otherTai Tham
TAI THAM SIGN KAANKUUU+1AA9Po, otherTai Tham
TAI THAM SIGN SATKAANU+1AAAPo, otherTai Tham
TAI THAM SIGN SATKAANKUUU+1AABPo, otherTai Tham
TAI THAM SIGN HANGU+1AACPo, otherTai Tham
TAI THAM SIGN CAANGU+1AADPo, otherTai Tham
TAI VIET SYMBOL HO HOIU+AADEPo, otherTai Viet
TAI VIET SYMBOL KOI KOIU+AADFPo, otherTai Viet
𑿿TAMIL PUNCTUATION END OF TEXTU+11FFFPo, otherTamil
TELUGU SIGN SIDDHAMU+0C77Po, otherTelugu
THAI CHARACTER FONGMANU+0E4FPo, otherThai
THAI CHARACTER ANGKHANKHUU+0E5APo, otherThai
THAI CHARACTER KHOMUTU+0E5BPo, otherThai
TIBETAN MARK INITIAL YIG MGO MDUN MAU+0F04Po, otherTibetan
TIBETAN MARK CLOSING YIG MGO SGAB MAU+0F05Po, otherTibetan
TIBETAN MARK CARET YIG MGO PHUR SHAD MAU+0F06Po, otherTibetan
TIBETAN MARK YIG MGO TSHEG SHAD MAU+0F07Po, otherTibetan
TIBETAN MARK SBRUL SHADU+0F08Po, otherTibetan
TIBETAN MARK BSKUR YIG MGOU+0F09Po, otherTibetan
TIBETAN MARK BKA- SHOG YIG MGOU+0F0APo, otherTibetan
TIBETAN MARK INTERSYLLABIC TSHEGU+0F0BPo, otherTibetan
TIBETAN MARK DELIMITER TSHEG BSTARU+0F0CPo, otherTibetan
TIBETAN MARK SHADU+0F0DPo, otherTibetan
TIBETAN MARK NYIS SHADU+0F0EPo, otherTibetan
TIBETAN MARK TSHEG SHADU+0F0FPo, otherTibetan
TIBETAN MARK NYIS TSHEG SHADU+0F10Po, otherTibetan
TIBETAN MARK RIN CHEN SPUNGS SHADU+0F11Po, otherTibetan
TIBETAN MARK RGYA GRAM SHADU+0F12Po, otherTibetan
TIBETAN MARK GTER TSHEGU+0F14Po, otherTibetan
TIBETAN MARK PALUTAU+0F85Po, otherTibetan
TIBETAN MARK BSKA- SHOG GI MGO RGYANU+0FD0Po, otherTibetan
TIBETAN MARK MNYAM YIG GI MGO RGYANU+0FD1Po, otherTibetan
TIBETAN MARK NYIS TSHEGU+0FD2Po, otherTibetan
TIBETAN MARK INITIAL BRDA RNYING YIG MGO MDUN MAU+0FD3Po, otherTibetan
TIBETAN MARK CLOSING BRDA RNYING YIG MGO SGAB MAU+0FD4Po, otherTibetan
TIBETAN MARK LEADING MCHAN RTAGSU+0FD9Po, otherTibetan
TIBETAN MARK TRAILING MCHAN RTAGSU+0FDAPo, otherTibetan
TIFINAGH SEPARATOR MARKU+2D70Po, otherTifinagh
𑓆TIRHUTA ABBREVIATION SIGNU+114C6Po, otherTirhuta
𐎟UGARITIC WORD DIVIDERU+1039FPo, otherUgaritic
VAI COMMAU+A60DPo, otherVai
VAI FULL STOPU+A60EPo, otherVai
VAI QUESTION MARKU+A60FPo, otherVai
𑨿ZANABAZAR SQUARE INITIAL HEAD MARKU+11A3FPo, otherZanabazar Square
𑩀ZANABAZAR SQUARE CLOSING HEAD MARKU+11A40Po, otherZanabazar Square
𑩁ZANABAZAR SQUARE MARK TSHEGU+11A41Po, otherZanabazar Square
𑩂ZANABAZAR SQUARE MARK SHADU+11A42Po, otherZanabazar Square
𑩃ZANABAZAR SQUARE MARK DOUBLE SHADU+11A43Po, otherZanabazar Square
𑩄ZANABAZAR SQUARE MARK LONG TSHEGU+11A44Po, otherZanabazar Square
𑩅ZANABAZAR SQUARE INITIAL DOUBLE-LINED HEAD MARKU+11A45Po, otherZanabazar Square
𑩆ZANABAZAR SQUARE CLOSING DOUBLE-LINED HEAD MARKU+11A46Po, otherZanabazar Square
MANDAIC PUNCTUATIONU+085EPo, otherMandaic

See also

An Independent Mind, Knot Logic

An Independent Mind, Knot Logic

This is word Difficult as it word Tries time[Time[Thyme] equated word Plant

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Karen A. Placek, aka Karen Placek, K.A.P., KAP

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Presents, a Life with a Plan. My name is Karen Anastasia Placek, I am the author of this Google Blog. This is the story of my journey, a quest to understanding more than myself. The title of my first blog delivered more than a million views!! The title is its work as "The Secret of the Universe is Choice!; know decision" will be the next global slogan. Placed on T-shirts, Jackets, Sweatshirts, it really doesn't matter, 'cause a picture with my slogan is worth more than a thousand words, it's worth??.......Know Conversation!!!

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