A Chapter: Raise the tongue to language and the muscle will identify a shave by means of crater and desired. In event of Planet Earth at name of noun to speak in predicate? What is the highlight of lost in pages as the Internet voices in silence? Dip well? Ink process brought package and string? Not on the grocery for the trip to candy land at the register. Being in line and not on it envelopes grown.
Chef is bought liking sync of moon. Sun in our sky is described in distant as a star. Space exploration is at skit the crease of dawning of the Ages in Times. Whales of men on this crowd of look draw dawn not as a sunset of night hemming way, that being said digs to no bone of Semitic. Mathematics at Times ad's to posture of cream as gossip sings with verse and yet in nothing notable and certainly not ever saying the good old days as that is just weird. Instead it is the dream? No, as that is just another quit of an excuse to harness denial of failure? I choose the foremost of not frost or ice or even the glacier in express. I choose the look and learn!! Education of each snail on the path of of now is at every turn to breathe a speak and spell for I. Just in a simple sentence of attempt I fry no egg, I spell no shame, I sing of no crust to crinkle. I rib not a snap or a turtle of wish to cosmic shoe, I just love the communique!!
In history the habit of cough would not excuse the habit of insult to ignorant, the cough was a pardon or shaped to excuse me making capable the screeching chair to announce your fudge. East to West the Coast to Coast on radio or the harbor of berth to the pier of electric gasoline in the charge. I chose the sun's dial to the rise of bright day as the hi noon gave the clock a reason for me to understand the moon. In shade of the sun in revolution around the earth sang a cause to enjoy the clouds on that explain. Sharply the verb with that garden was on a private clam as the streets of San Francisco gave bridle to the Golden Gate Park and introduction at nine years old. In cough as honesty is treasured in my verbal at navigated the 1960s were harsh with Concerts in the Park marking many dancing to strip ground for the brain of raft. As for me it was not confusion just the 'oh man' of frustrating for those ribs of read snapper's just shirts to the naked rose between their hose. Ream to day of buffalo pay, I more the horse with a stable. That wealth to a cue of ocean and do was just going to the ride on the dunes to look and learn: The Wave!!
Breezing with a note to this independent logistic of letter to land I remind? My more is not on remind as the harp to the 1960s was bear in and the grizzle was the gristle, that hippie, that Timothy Leary and that junk of Mr. Leary saying again and again the acid bin. Just now on the razor of that quote and in look and learn I have discovered a scatter of Timothy Leary which is new to me as I was just a little kid as the 1960 crew did their street kin, therefore the treasure to change is the choose? No, it is the decision:
“Women who seek to be equal with men lack ambition.”
― Timothy Leary
“LSD is a psychedelic drug which occasionally causes psychotic behavior in people who have NOT taken it.”
― Timothy Leary
“Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…”
― Timothy Leary
read more at https://www.goodreads.com/author/quotes/47718.Timothy_Leary
Now swing a lull a bye and enjoy a chest in the land of the Yellow Submarine as choice is an Avenue, life is a City full to the brim of curbs and alleys that know the Streets of San Francisco through the thick and thin? Don't casper your jump to conclusion, as the one without the other would not have made me the journal of pigeon to say that chops are from the butcher shop and The Tenderloin had a story book at just that for the era to telephone. The skittle to this snickers is not the scribe of candy land at the chip aisle, it is the fact that people don't scribe to expression for the chalk let of lime in their lives: Cocktails at a specific scribble makes conversation not dead. And, it's not all about the ice cube. It is the truer scrabble of what was called a living room.
Look and Learn
Look and Learn | |
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Look and Learn cover page from 25 March 1972
| |
Publication information | |
Publisher | Fleetway |
Schedule | Weekly |
Publication date | 1962–1982 |
No. of issues | 1049 |
Creative team | |
Artist(s) | Fortunino Matania John Millar Watt Ron Embleton Gerry Embleton C. L. Doughty Wilf Hardy Angus McBride Oliver Frey James E. McConnell Kenneth Lilly R. B. Davis Clive Uptton Eric Parker |
Look and Learn was a British weekly educational magazine for children published by Fleetway Publications Ltd from 1962 until 1982. It contained educational text articles that covered a wide variety of topics from volcanoes to the Loch Ness Monster; a long running science fiction comic strip, The Trigan Empire; adaptations of famous works of literature into comic-strip form, such as Lorna Doone; and serialized works of fiction such as The First Men in the Moon.
The illustrators who worked on the magazine included Fortunino Matania, John Millar Watt, Peter Jackson, John Worsley, Patrick Nicolle, Ron Embleton, Gerry Embleton, C. L. Doughty, Wilf Hardy, Dan Escott, Angus McBride, Oliver Frey, James E. McConnell, Kenneth Lilly, Graham Coton, Ralph Bruce, R. B. Davis, Severino Baraldi and Clive Uptton.
Among other things, it featured the Pen-Friends pages, a popular section where readers could make new friends overseas.
Contents
[hide]Pre-publication history[edit]
Look and Learn was the brainchild of Leonard Matthews, the editorial director of juvenile publications at Fleetway Publications which was already publishing the long-running Children's Newspaper. An early attempt by Matthews to launch a new educational title along the lines of Italian educational magazines Conoscere and La Vita Meravigliosahad been turned down by the Board of Directors.[1]
A British edition of Conoscere was brought out in 1961 under the title Knowledge and Matthews reassessed his original proposal and approached the Board again, this time receiving the go-ahead to produce a dummy of the proposed magazine.
The dummy was put together by the firm's Experimental Art Department headed by David Roberts and Trevor Newton. David Stone, a former sub-editor with Everybody's Weekly, was appointed editor and, with the dummy approved, the magazine began publication. However, before the new title reached the newsstands, John Sandersreplaced Stone as editor.
Publication history[edit]
The first issue of Look and Learn was dated 20 January 1962, and contained a wide spectrum of features ranging from articles on history (Rome, the Houses of Parliament, the story of King Charles I, "The Dover Road", "From Then Till Now"), science ("Eyes on Outer Space"), geography and geology (The Grand Canyon, "The Quest for Oil"), art (Vincent van Gogh), nature ("The story of a seed", "Your Very Own Basset Hound"), literature (The Arabian Nights and its editor Sir Richard Burton) and travel ("The Children of Tokio"). The debut issue also contained the first episodes of "Three Men in a Boat" by Jerome K. Jerome and "The Children's Crusade" by Henry Treece and a feature on the founding of the World Wildlife Fund.
The first issue of the magazine sold about 700,000 copies and settled down to a regular sale of over 300,000 copies a week.[2] The success of the magazine has been put down to the high quality of the magazine's content. Historian Steve Holland has said, "The premise of Look and Learn was to delight and inspire the imaginations of its young readers. To advance this principle, the features were clearly and briskly written and illustrated by some of the finest artists of the era resulting in a magazine of unmatched quality."[1]
The first major change to the contents of the magazine came in 1966 when it incorporated Ranger with issue 232 (25 June 1966). This amalgamation brought with it a number of comic strips including The Rise and Fall of the Trigan Empire, written by Mike Butterworth and drawn by Don Lawrence. The French comic strip Asterix also featured. The adventure Asterix and Cleopatra appears under the title In the Days of Good Queen Cleo, with the Gauls turned into Ancient Britons, with Asterix and Obelix renamed "Beric" and "Doric".
This amalgamation was overseen by recently appointed editor John Davies who had replaced Sanders when the latter left to edit the short-lived Ranger in 1965. Davies had previously edited The Children's Newspaper until it merged with Look and Learn (issue 173, 8 May 1965).
It amalgamated with its competitor Finding Out in 1967.
Davies continued the magazine with the same mixture as before (the page count of the magazine having increased from 32 pages to 36 to accommodate the additional content), as did the editors who followed him, Andy Vincent (1969–1977) and Jack Parker (1977–1982).
The magazine absorbed World of Wonder in March 1975, and Speed & Power with issue no. 724 (29 November 1975).
It was under Parker's editorship that the paper underwent a facelift with issue 844 (18 March 1978), absorbed World of knowledge in early 1981, and celebrated its 1,000th issue later that same year (9 May 1981). Sales had, however, been declining throughout the 1970s, a decade which had seen the price of the paper rise from 7½ pence to 30 pence due to sharply increasing production costs. Price increases in the early 1980s added a further 10 pence to the weekly cost of the magazine and the editor had to admit that "we simply do not sell enough to meet the very heavy cost of producing a magazine of the quality of Look and Learn and we are therefore unable to continue publication."[3]
Look and Learn folded with issue 1049, dated 17 April 1982.
Comic strip section[edit]
It did include a comic strip section, the most important strip was The Trigan Empire, a science fiction series written mainly by Mike Butterworth and most notably drawn by Don Lawrence, which first appeared in Ranger in September 1965. It transferred to Look and Learn in issue 232, June 1966 when the two titles merged, and ran there until the title ceased publication. It told the story of an alien culture that contained an educational blend of science and Earth-like ancient civilizations.[4] Another strip was Rob Riley, also originally from Ranger.
Revival of Look and Learn[edit]
In November 2004, the rights to the magazine were purchased by Look and Learn Magazine Ltd. who have subsequently created an extensive website[5] dedicated to the magazine, including a picture gallery with over 350,000 images.[6]
A reissue of Look and Learn containing the best features and strips is now available by subscription.[7] The first new issue appeared in January 2007 and is due to run fortnightly for 48 issues.
The Bumper Book of Look and Learn (ISBN 978-1-846-05291-0), a 256-page collection of features from the original magazine was released in August 2007. The selection, much of the material illustrated from original artwork, was compiled by Stephen Pickles.[8]
Notes: Semitic languages[2][3] are a branch of the Afroasiatic language family originating in the Middle East. Semitic languages are spoken by more than 330 million people...terminology was first used in the 1780s by members of the Göttingen School of History,[4] who derived the name from Shem...read more at https://en.wikipedia.org/wiki/Semitic_languages
The Göttingen school of history was a historiographical debate at the University of Göttingen in the late 18th century.[1]
It was the original centre of the "Historical Science" ("Geschichtswissenschaft") academic discipline.[2] The historians sought to write a universal history by combining the critical methods of Jean Mabillon with that of the philosophical historians such as Voltaire and Edward Gibbon.[3]
The group of historians played an important role in creating a "scientific" basis for historical research,[4] and were responsible for coining fundamental terms in scientific racism such as Blumenbach and Meiners's color terminology for race: Caucasian or white race; Mongolian or yellow race; Malayan or brown race; Ethiopian or black race; and American or red race,[5] and Gatterer, Schlözer and Eichhorn's Biblical terminology for race: Semitic, Hamitic and Japhetic; https://en.wikipedia.org/wiki/G%C3%B6ttingen_School_of_History
I translated Geschichtswissenschaft using Wikipedia and as Wikipedia can be edited and I would enjoy reading the actual original page edited for this day of the above being read on the original page that the Göttingen School of History referred me as an attachment to their page of explanation or better said reference I place to note the translated page of Geschichtswissenschaft which is German into my spoken and read language of the English language: Geschichtswessencchaft is defined as history. Due to the last edit of https://de.wikipedia.org/wiki/Geschichtswissenschaft (This page was last modified on 13 October 2017 at 13:42.) I will only hold quote to that page in it's first line quote in-line as The science of history is the methodically secured investigation of aspects of the human past or history on the basis of a critically analyzed and interpreted tradition (sources) under a specific question. For further reading I will wait for their completion of the page.
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